Volume 57 - 2011
Issue 1
Editor: John N. Duvall
Associate Editor: Robert P. Marzec
General Issue
(Note: This entire volume is available online through Project Muse)
Humpty Dumpty in New York: Language and Regime Change in Paul Auster's City of Glass
Sylvia Söderlind
Pages 1-16
"The Vision-Building Faculty": Naturalist Vision in The House of Mirth
Laura Saltz
Pages 17-46
Violent Immolations: Species Discourse, Sacrifice, and the Lure of Transcendence in D. H. Lawrence's The Rainbow
Gerald Doherty
Pages 47-74
Physical Sympathy: Hip and Sentimentalism in James Baldwin'sAnother Country
Brandon Gordon
Pages 75-95
Power Literature and the Myth of Racial Memory
Sarah Eden Schiff
Pages 96-122
Failed Faustians: Jack Kerouac and the Discourse of Delinquincy
Stephen Schryer
Pages 123-50
Book Reviews
Pages 151-197
Contributors
Page 198
Call For Papers
Pages 199-200
Issue 2
Editor: John N. Duvall
Associate Editor: Robert P. Marzec
General Issue
(Note: This entire volume is available online through Project Muse)
Faulkner and Feminine Hygiene, Or, How Margaret Sanger Sold Dewey Dell a Bad Abortion
Heather E. Holcombe
Pages 203-229
Repetition, Remembering, Repetition: Virginia Woolf's late Fiction and the Return of War
John Whittier-Ferguson
Pages 230-253
Queering Helga Crane: Black Nativism in Nella Larsen'sQuicksand
Keguro Macharia
Pages 254-275
Against the Dialectic of Nation: Abraham Cahan and Desire's Spectral Jew
Benjamin Schreier
Pages 276-299
Periodizing the '80s: "The Differential History" in Nicholson Baker's The Mezzanine
Graham Thompson
Pages 300-317
Reproductive Technologies, Fetal Icons, and Genetic Freaks: Shelley Jackson's Patchwork Girl and the Limits and Possibilities of Donna Haraway's Cyborg
Heather Latimer
Pages 318-337
Book Reviews
Pages 338-74
Contributors
Page 375
Call For Papers
Pages 376-78
Issue 3
Editor: John N. Duvall
Associate Editor: Robert P. Marzec
Special Issue: Fiction after 9/11
(Note: This entire volume is available online through Project Muse)
Narrating 9/11
John N. Duvall & Robert P. Marzec
Pages 381-402
Policing the Globe: State Sovereignty and the International in the Post-9/11 Crime Novel
Andrew Pepper
Pages 403-24
Outtakes and Outrage: The Means and Ends of Suicide Terror
Samuel Thomas
Pages 425-52
Regarding the Pain of Self and Other: Trauma Transfer and Narrative Framing in Jonathan Safran Foer's Extremely Loud & Incredibly Close
Ilka Saal
Pages 453-76
Violence and the Faithful in Post-9/11 America: Updike's Terrorist, Islam, and the Specter of American Exceptionalism
Anna Hartnell
Pages 476-504
Strange Times to be a Jew: Alternative History after 9/11
Margaret Scanlan
Pages 505-31
Arab American Citizenship in Crisis: Destabilizing Representations of Arabs and Muslims after 9/11
Carol Fadda-Conrey
Pages 532-58
Don De Lillo's Falling Man and the Age of Terror
Joseph M. Conte
Pages 559-83
The Languishing of the Falling Man: Don DeLillo and Jonathan Safran Foer's Photographic History of 9/11
Aaron Mauro
Pages 584-606
Review Essay: Analyzing Literature after 9/11
Aaron DeRosa
Pages 607-18
Contributors
Pages 619-20
Calls For Papers
Page 621
Issue 4
Editor: John N. Duvall
Associate Editor: Robert P. Marzec
General Issue:
(Note: This entire volume is available online through Project Muse)
"May I trespass on your valuable space?": Ulysses on the Coast
Nels C. Pearson
Pages 627-49
Producing Exile: Diasporic Vision in Adichie's Half of a Yellow Sun
Susan Strehle
Pages 650-72
Keeping History at Bay: Absent Presences in Three Recent Jewish American Novels
Philippe Codde
Pages 673-93
Enabling Aztlan: Arturo Islas Jr., Disability, and Chicano Cultural Nationalism
Julie Avril Minich
Pages 694-714
"I live in this world, too": Octavia Butler and the State of Realism
Jeff Menne
Pages 715-37
Neocolonial Global Capitalism and Imperial Desire in Lawrence Chua's Gold by the Inch
Youngsuk Chae
Pages 738-57
Book Reviews
Page 758
Contributors
Page 817
Call For Papers
Pages 818-20