Volume 17 -1971
Issue 1
Editorial Board: William T. Stafford (Chairman, on leave), William Bache, Margaret Church (Acting Chair), and Mark Rowan
Special Issue: The Modern German Novel
Franz Kafka, Sugar Baron
Peter F. Neumeyer
Pages 5-16
Chapter Fourteen, "The Second Home" from Oskar Weber The Sugar Baron (Trans. Peter F. Neumeyer)
Oskar Weber
Pages 17-20
Action as Self-Mirror: On Kafka's Plots
S. Sandbank
Pages 21-30
A Literal Interpretation of "In the Penal Colony"
Kurt J. Fickert
Pages 31-36
A Key to the Door Image in "The Metamorphosis"
Leonard Moss
Pages 37-44
The Motif of Failure and the Act of Narrating in Günter Grass'sÖrtlich Betäubt
James C. Bruce
Pages 45-60
Oskar's Hungry Witch
J. K. Sosnoski
Pages 61-80
More on the Musical Composition of Doktor Faustus
Marilyn Gaddis Rose
Pages 81-90
The Role of Hermes in The Confessions of Felix Krull
Frank J. Kearful
Pages 91-108
A New Translation
Meno Spann
Pages 109-114
Hermine and hte Porlbem of Harry's Failure in Hesse's Steppenwolf
Eugene Webb
Pages 115-124
Döblin and Dos Passos: Aspects of the City Novel
Leon L. Titche, Jr.
Pages 125-138
Bibliography: Five Modern German Novelists (1960-1970)
Margaret Church, Ronald Cummings, Charles Whitaker
Pages 139-156
Issue 2
Editorial Board: William T. Stafford (Chairman, on leave), William Bache, Margaret Church (Acting Chair), and Mark Rowan
General Issue
A Conversation with Lawrence Durell about Art, Analysis, and Politics
Joan Goulianos
Pages 159-166
Dissonance and Digression: The Ill-Fitting Fusion of Philosophy and Form in Lawrence Durrell's Alexandra Quartet
Chet Taylor
Pages 167-180
The Face in the Mirror: Bernanos' Hero as Artist in Journal d'un curé de campagne
H. A. Bouraoui
Pages 181-192
Life against Death in Henderson the Rain King
Donald W. Markos
Pages 193-206
Pynchon's Tapestries on the Western Wall
Roger B. Henkle
Pages 207-220
Violence in Afro-American Fiction: An Hypothesis
Stephen B. Bennett and William W. Nichols
Pages 221-228
Myra Breckinridge and Imitative Form
Purvis E. Boyette
Pages 229-238
Dorian Gray and the Gothic Novel
Lewis J. Poteet
Pages 239-248
Postures of Belief in The Nigger of the "Narcissus"
Robert Foulke
Pages 249-262
Camus' Fait Divers
David G. Speer
Pages 263-264
Samuel Beckett's Watt: A Coming and a Going
Eleanor Swanson
Pages 264-268
Marxist Criticism of Céline's Voyage au bout de la nuit
Paul A. Fortier
Pages 268-272
Recent Books on Modern Fiction
Pages 273-341
Issue 3
Editorial Board: William T. Stafford (Chairman), William Bache, Margaret Church, and Mark Rowan
Special Issue: Norman Mailer
The Long HappyLife of Norman Mailer
Donald L. Kaufmann
Pages 347-360
Norman Mailer and John Dos Passos: The Question of Influence
John M. Muste
Pages 361-374
"Otherwise How Explain?" Norman Mailer's New Cosmology
Richard D. Finholt
Pages 375-386
The Hero of The Naked and the Dead
David F. Burg
Pages 387-402
Barbary Shore: The Basis of Mailer's Best Work
John Stark
Pages 403-408
Norman Mailer's Why are We in Vietnam?: A Radical Critique of Frontier Values
Richard Pearce
Pages 409-414
Current and Recurrent: The Vietnam Novel
Roger Ramsey
Pages 415-432
The 45-Second Piss: A Left Critique of Norman Mailer and The Armies of the Night
Robert Merideth
Pages 433-450
Mailer's Lunar Bits and Pieces
Donald L. Kaufmann
Pages 451-454
Criticism of Norman Mailer: A Selected Checklist
Laura Adams
Pages 455-463
Issue 4
Editorial Board: William T. Stafford (Chairman), William Bache, Margaret Church, and Mark Rowan
General Issue
Hemingway's Tutor, Ezra Pound
Harold M. Hurwitz
Pages 469-482
James's Mock Epic: "The Velvet Glove," Edith Wharton, and Other Late Tales
Adeline R. Tintner
Pages 483-500
From the Cellar to the Rock: A Recurrent Pattern in William Golding's Novels
Jeanne Delbaere-Garant
Pages 501-512
Arnold Bennett's Social Conscience
Kinley E. Roby
Pages 513-524
Parody and Mystery in Dürrenmatt's The Pledge
Roger Ramsey
Pages 525-532
A Pebble in the Pool: Organic Theme and Structure in Thomas Wolfe's You Can't Go Home Again
Richard H. Cracroft
Pages 533-554
Janouch's Conversations with Kafka: Some Questions
Peter F. Neumeyer
Pages 555-557
"The Open Boat": Additional Perspective
Donna Gerstenberger
Pages 557-561
Thomas Wolfe's Mr. Katamoto
Lawrence Jay Dessner
Pages 561-565
Hemingway's "The Revolutionist": An Aid to Interpretation
Barbara S. Groseclose
Pages 565-570
"Things in Themselves": Virginia Woolf's the Waves
Igor Webb
Pages 570-574
Dickens and Lawrence: More on Rocking Horses
Michael K. Goldberg
Page 574
Recent Books on Modern Fiction
Pages 575-659