Volume 40 - 1994
Issue 1
Editor: Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue
Passing: Henry Green and Working-Class Identity
Peter Hitchcock
Pages 1-32
Bee-e-een! Nation, Transformation and the Hyphen of Ethnicity in Kingston's Tripmaster Monkey
Isabella Furth
Pages 33-50
Henry James's Subterranean Blues: Rereading The Princess Casamassima
Wendy Graham
Pages 51-84
Postcolonial Gothic: Ruth Prawer Jhabvala and the Sobhraj Case
Judie Newman
Pages 85-100
"Is this really what you wanted me to be?": The Daughter's Disintegration in Jessie Redmon Fauset's There is Confusion
Beth A. McCoy
Pages 101-118
Review Essay: The Border between Us: Contact Zone or Battle Zone?
Louis Mendoza
Pages 119-139
Recent Books on Modern Fiction
Pages 141-216
Issue 2
Editor: Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue
The Writer among Terrorists: Don DeLillo's Mao II and the Rushdie Affair
Margaret Scanlan
Pages 229-252
Nocturnal Transgressions in The House of Sleep: Anna Kavan's Maternal Registers
Jane Garrity
Pages 253-278
Life after Death: The Allegorical Progress of Mrs. Dalloway
Caroline Webb
Pages 279-298
Playing a Game of Worlds in Nabokov's Pale Fire
Martine Hennard
Pages 299-318
Superlinear Fiction or Historical Diagram: Don DeLillo's Libra
John Johnston
Pages 319-342
Mapping Amazement: John Irwin and the Calculus of Speculation
Fred See
Pages 343-353
Recent Books on Modern Fiction
Pages 355-458
Issue 3
Guest Editor: Timothy Dow Adams
Special Issue: Autobiography, Photography, Narrative
(Note: This entire volume is available online through Project Muse)
Life Writing and Light Writing: Autobiography and Photography
Timothy Dow Adams
Pages 459-492
Ghost Dance?: Photography, Agency, and Authenticity in Lame Deer, Seeker of Visions
Timothy Sweet
Pages 493-508
Finding Likeness, Reframing Lives
Sidonie Smith
Pages 509-542
Autobio-Photography: Images of the Self and the Self's Cultures
Charles Martin
Pages 543-572
Auteurs as Autobiographers: Jo Spence and Cindy Sherman
James Guimond
Pages 573-592
Encounters in Camera: Autobiography as Interaction
Susanna Egan
Pages 593-618
The Impossible Photograph: Hippolyte Bayard's Self-Portrait as a Drowned Man
Michal Spair
Pages 619-630
Cartier-Bresson: Between Autobiography and Image
Allan Stoekl
Pages 631-642
"The Things That Ares Seen in the Flashes": Timothy Findlay'sInside Memory as Photographic Life Writing
Lorraine York
Pages 643-656
Not Losing Her Memory: Stories in Photographs, Words, and Collages
Joanne Leonard
Pages 657-686
Issue 4
Editor: Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue
(Note: This entire volume is available online through Project Muse)
The Novel as War: Lies and Truth in Hemingway's A Farewell to Arms
Margot Norris
Pages 689-710
The Eye and the Gaze in Heart of Darkness: A Symptomological Reading
Kimberly J. Devlin
Pages 711-736
Thea Kronborg's Vocal Transvestism: Willa Cather and the "Voz Contralto"
John H. Flannigan
Pages 737-764
Meditation and the Escalator Principle (On Nicholson Baker's The Mezzanine)
Ross Chambers
Pages 765-806
The Figure in the Static: White Noise
Arthur M. Saltzman
Pages 807-826
Recent Books on Modern Fiction
Pages 827-936