Modern Fiction Studies Department of English

Volume 40 - 1994

[Issue 1 2 3 4]

Issue 1

Editor:  Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue

Passing: Henry Green and Working-Class Identity
Peter Hitchcock
Pages 1-32

Bee-e-een! Nation, Transformation and the Hyphen of Ethnicity in Kingston's Tripmaster Monkey
Isabella Furth
Pages 33-50

Henry James's Subterranean Blues: Rereading The Princess Casamassima
Wendy Graham
Pages 51-84

Postcolonial Gothic: Ruth Prawer Jhabvala and the Sobhraj Case
Judie Newman
Pages 85-100

"Is this really what you wanted me to be?": The Daughter's Disintegration in Jessie Redmon Fauset's There is Confusion
Beth A. McCoy
Pages 101-118

Review Essay: The Border between Us: Contact Zone or Battle Zone?
Louis Mendoza
Pages 119-139

Recent Books on Modern Fiction
Pages 141-216

Issue 2

Editor:  Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue

The Writer among Terrorists: Don DeLillo's Mao II and the Rushdie Affair
Margaret Scanlan
Pages 229-252

Nocturnal Transgressions in The House of Sleep: Anna Kavan's Maternal Registers
Jane Garrity
Pages 253-278

Life after Death: The Allegorical Progress of Mrs. Dalloway
Caroline Webb
Pages 279-298

Playing a Game of Worlds in Nabokov's Pale Fire
Martine Hennard
Pages 299-318

Superlinear Fiction or Historical Diagram: Don DeLillo's Libra
John Johnston
Pages 319-342

Mapping Amazement: John Irwin and the Calculus of Speculation
Fred See
Pages 343-353

Recent Books on Modern Fiction
Pages 355-458

Issue 3

Guest Editor:  Timothy Dow Adams
Special Issue: Autobiography, Photography, Narrative

(Note: This entire volume is available online through Project Muse)

Life Writing and Light Writing: Autobiography and Photography
Timothy Dow Adams
Pages 459-492

Ghost Dance?: Photography, Agency, and Authenticity in Lame Deer, Seeker of Visions
Timothy Sweet
Pages 493-508

Finding Likeness, Reframing Lives
Sidonie Smith
Pages 509-542

Autobio-Photography: Images of the Self and the Self's Cultures
Charles Martin
Pages 543-572

Auteurs as Autobiographers: Jo Spence and Cindy Sherman
James Guimond
Pages 573-592

Encounters in Camera: Autobiography as Interaction
Susanna Egan
Pages 593-618

The Impossible Photograph: Hippolyte Bayard's Self-Portrait as a Drowned Man
Michal Spair
Pages 619-630

Cartier-Bresson: Between Autobiography and Image
Allan Stoekl
Pages 631-642

"The Things That Ares Seen in the Flashes": Timothy Findlay'sInside Memory as Photographic Life Writing
Lorraine York
Pages 643-656

Not Losing Her Memory: Stories in Photographs, Words, and Collages
Joanne Leonard
Pages 657-686

Issue 4

Editor:  Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue

(Note: This entire volume is available online through Project Muse)

The Novel as War: Lies and Truth in Hemingway's A Farewell to Arms
Margot Norris
Pages 689-710

The Eye and the Gaze in Heart of Darkness: A Symptomological Reading
Kimberly J. Devlin
Pages 711-736

Thea Kronborg's Vocal Transvestism: Willa Cather and the "Voz Contralto"
John H. Flannigan
Pages 737-764

Meditation and the Escalator Principle (On Nicholson Baker's The Mezzanine)
Ross Chambers
Pages 765-806

The Figure in the Static: White Noise
Arthur M. Saltzman
Pages 807-826

Recent Books on Modern Fiction
Pages 827-936

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