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Toma y daca: Transculturación y presencia de escritores chino-latinoamericanos

Huei Lan Yen

In the mid-1800s, tens of thousands of Chinese workers migrated to Cuba, Peru, Mexico, and Panama in search of a better life. As they and their descendants assimilated into their new host countries, they contributed significantly to the economies of these countries through their work in agriculture, transportation, and other industries. However, through the years and throughout their work and assimilation, they also made distinguished literary, artistic, religious, and political contributions to the cultural heritage of the region.

In one of the first such studies of the Chinese-Latin American literary tradition and treating authors’ works never before studied, Huei Lan Yen examines how first- and second-generation Latin American writers of Chinese and mixed-race Chinese descent relied upon literature to reconstruct, reevaluate, and renegotiate their cultural identities. Yen then argues that it is through the lens of their literary output that we can best understand the intricacies and tensions of the East-West transculturation process of nineteeth-century Latin America.

Exploring the unique interplay of aspects of Chinese culture, such as Confucianism and Taoism, with dominant Latin American cultures, on a broad scale, Yen reveals Chinese–Latin American literature as having an aesthetically complex and sophisticated tradition with a specific cultural flavor of its own.

Huei Lan Yen, Grand Valley State University, received her PhD in Spanish Literature at the University of Oklahoma in 2012. She specializes in Latin American contemporary literature with a particular focus on the presence and the literary works of the Chinese-Latin American writers. In addition, her research interests include Orientalism, Post-colonialism, and cultural theory and cultural studies.

PSRL 67. Paperback, abt, 351 pp.  978-1-55753-748-5 • E-Book available. In Spanish.

Last updated October 22, 2015

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