Purdue Studies in Romance Literatures

photo of many books on a book shelf

PSRL

Purdue Studies in Romance Literatures publishes single-authored monographs on topics of literary importance that make a significant contribution to Romance scholarship. Studies are written in English, Spanish, or French. Our authors tackle topics in French, Italian, Luso-Brazilian, Spanish, and Spanish American literature, commenting on current trends in these fields.

The books in the series publish and promote research in the Romance languages and enhance graduate education. They address a wide range of topics, including seventeenth-century literature, poetry, the novel, drama, film, women's issues, cultural studies, and textual interpretation.

The series includes the first book by some scholars, the last book by others, and everything in between. Our authors paint word pictures of scenes as diverse as the world of the Spanish comedia and the Comédie Française, native populations in South America, World War II in Italy, dictatorship in Portugal, and the attacks in New York and Madrid in 2001 and 2004. We have devoted several books to studies that contrast Spanish American and Luso-Brazilian cultures and literature. 


PSRL logo, just printed word

Since its founding in 1978, Purdue Studies in Romance Languages (PSRL) has been located in Stanley Coulter Hall at Purdue University in West Lafayette, Indiana. The series published its first volume in 1992 and has since become a longstanding venue for scholarship across the Romance languages. Today, PSRL is published by Purdue University Press, continuing its commitment to advancing research in French, Italian, Luso-Brazilian, and Spanish studies. Its distinctive color-coded volumes—blue for French, red for Italian, green for Luso-Brazilian, and yellow-gold for Spanish, with two-color covers representing interdisciplinary works—reflect the breadth of the series. 

PSRL original logo

The first 42 volumes of the series were published (1980-92) under the name Purdue University Monographs in Romance Languages (PUMRL) by John Benjamins of Amsterdam and Philadelphia.The founding editors were: Wolfgang Moelleken, William Whitby, and Allan Pasco. Others who served as editors during the history of the series included Allen Wood, Djelal Kadir, Enrique Caracciolo-Trejo, and Howard Mancing.


PSRL books are evaluated, edited, and prepared in electronic form in the School of Languages and Cultures at Purdue University and published and distributed by Purdue University Press

For more information feel free to conact psrl@purdue.edu.

Purdue Studies in Romance Literatures welcomes completed manuscripts on topics of literary, theoretical, or philological importance that make a significant contribution to scholarship in French, Italian, Luso-Brazilian, Spanish, and Spanish American literatures. 

  • Preliminary inquiry
    • Authors interested in publishing with PSRL should first send a proposal describing their work. Proposals, either paper or PDF, should include a short description of the study, a table of contents, and a brief CV. The editors will examine the materials and, if interested, request the manuscript.
  • Preparation of the manuscript
    • Manuscripts should be approximately 80,000–110,000 words (250–300 pages) in length. The entire manuscript (text, quotes, notes, and bibliography) must be double spaced. The text may be in English, French, or Spanish. If you include images, there should be no more than six. Quotations should be in the original language. Quotations in French and Spanish do not need to be translated. A quotation in another language should be followed by an English translation. Please inquire for details. Dissertations should be rigorously revised before submission to meet the definition of a book. The manuscript must conform to the latest edition of the MLA Handbook for Writers of Research Papers (New York: MLA), following the parenthetical style of documentation. Each copy should be an anonymous manuscript, including two title pages, one with the author’s name, the other without. The author’s name must not appear in the page headings or anywhere in the manuscript. References to the author in text and notes must be in the third person. However, the manuscript will be sent out as it is received. For more details, see Manuscript Files.
  • Materials required for submission
    • Authors are required to submit (1) two clean paper copies of the manuscript, completely double spaced, unbound, and printed on one side only, (2) a PDF of the entire manuscript, and (3) a signed statement that Purdue Studies in Romance Literatures is and will remain the sole reviewing agency while it is considering the work for publication. Copies will not be returned.
  • Additional requirements
    • If a manuscript is accepted for publication, the author will be asked for a subvention to defray some of the production expenses. At that time we also require an electronic copy of the final manuscript. Send your files in Microsoft Word for the Mac or the PC. Word Perfect files should be saved in Microsoft Word format.
  • Further information
    • All correspondence should be directed to Purdue Studies in Romance Literatures, Stanley Coulter Hall, 640 Oval Drive, West Lafayette, Indiana 47907-2039 USA, tel. (765) 496-6624, email psrl@purdue.edu.
  • Publishing specifications
    • PSRL books are prepared in our offices in the School of Languages and Cultures and published by contract with Purdue University Press. Books are published in paperback and will also be issued in electronic format.
  • The Process

After your manuscript has been examined by our readers, changes may be recommended. We would like to explain our requirements for preparation of the final manuscript. As you revise according to suggestions of our readers and editors, we would like you to include some changes that will make the manuscript easier to prepare for the printer. The document produced when you incorporate these revisions will be called the final manuscript.

  • Preparing the final manuscript

We consider the ideal length for manuscripts for our books to be 80,000–110,000 words (250–300 pages). If your manuscript is already longer than this, see that its length is not increased by the revisions. The entire manuscript, including the quotations, notes, and works cited, should be double spaced.

The paper copy will be the reference copy throughout the editing process. If the paging is maintained, queries can be located by page and line number. Pages may be added to the paper copy by numbering the new pages 22a, and so on, in order to avoid renumbering the entire manuscript.

  • Language, quotations, translations

You may write in English, French, or Spanish. Our policy is to treat the language of the literary work(s) as primary and the language of composition (if different) as secondary. Therefore, quotations from literary works should be in the original language. Quotations from critical works may be in the language of composition when a published translation in that language is available. If not, include both the original and your translation of the quotation. Translations should be provided for quotations in any language other than English, Spanish, or French.

Ideally, translations for long quotations should be placed either immediately following the original or in an appendix. In either case, the quotations in the original language should remain in the text as block quotations. Translations of shorter, run-in quotations should be placed in parentheses following the original. If for reasons of content and audience, you and the editors agree to include English translations (in English text) of Spanish or French quotations, these translations will be handled in the same manner. If you are citing a published translation, please make very clear whether you have modified it in any way by enclosing the changed words in square brackets. Titles should be translated only the first time they appear. Thereafter, the original-language title should be used. See MLA instructions on this subject.

  • Documentation style and notes

All manuscripts must be prepared according to the latest edition of the MLA Handbook for Writers of Research Papers (New York: MLA). The notes for the books of our series are endnotes, placed at the back of the book. Therefore, you should copy the notes into a separate document.

Although we use endnotes, in order to achieve the immediacy that footnotes allow, we have chosen to follow the parenthetical style for documentary references recommended in the main part of the MLA Handbook. In parenthetical documentation, the convention of putting full bibliographic information in the first note no longer applies. The reader is expected to look at the works cited for this information. All notes are classified as either “documentary only” or “long documentary and commentary.” The former are inserted in the text within parentheses. The latter are placed in the endnotes section. Refer to the MLA Handbook for details. The basic parenthetical reference consists of the author’s last name plus a page number with no intervening punctuation. If you use more than one book by the same author, add a short title (not the publication date) to each reference to distinguish the books. Place a comma between the last name and the short title, but no punctuation between the short title and the following page number. All references consisting of only name (or name plus short title) and page number(s) should be parenthetical. Notes should be limited to comments and those documentary references that are too long to fit comfortably within the text. Any references included in the endnotes should also be prepared in parenthetical form.

To make it as easy as possible for the reader to locate the reference in the works cited, be certain that each work is listed under the name or title cited in the parenthetical reference. For example, if you are citing a dictionary, you must decide whether to refer to it by the editor or by the first word of the title, and it should be listed alphabetically under the same thing in the works cited. It is also best if the works cited is not subdivided, since doing so forces the reader to guess which section to consult.

  • Preparing the electronic documents

We also require an electronic copy of the final manuscript, in Microsoft Word® for Mac or PC. We will be working on a Macintosh in Microsoft Word and Adobe InDesign®. The electronic copy and the paper copy must be identical.

Please do only minimal formatting on your documents. We will reformat them to match our series specifications. Each element in your text should be a separate file. This includes dedication, table of contents, preface, introduction, individual chapters, endnotes, and works cited. Poetry should be prepared with hard returns where the line breaks occur in the poems. For complicated arrangements of lines and indents, please provide photocopies of the poems.

  • Index

Your book must have an index. While the page references cannot be filled in until you receive the page proofs, it will save time at page proof stage if you begin early to select the terms for indexing. The Chicago Manual of Style has a good discussion on preparing an index. The discussion emphasizes the reader’s needs and considers the theme of the work in decisions about whether or not to index a term or name. The length of your index will depend on the nature and length of your study, but usually it should be around eight or ten double-spaced single-column manuscript pages.

  • Editing and proofing

You will only receive a final proof. You will be charged for any changes requested at proof stage other than our errors. From the page proofs, you will prepare your index. We will need the proofs and index returned within four weeks after you receive the proofs. 

  • Images

Images should be included in the manuscript you send, so that we can assure proper placement in the final proof. You will also need to send separate files for each image (preferably a 300 dpi .jpg).