MFS Home
Index Home
Modern Fiction Studies: A
Searchable Index
Volume 51 - 2005
[Issue 1
2 3 4]
Issue 1
Editor: John N. Duvall
Associate Editor: Nancy J. Peterson
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Pearl James |
History and
Masculinity in F. Scott Fitzgerald's This Side of Paradise |
1-33 |
| Jesse Wolfe |
The Sane Woman
in the Attic: Sexuality and Self-Authorship in Mrs. Dalloway |
34-59 |
| Stephanie L.
Hawkins |
The Science of
Superstition: Gertrude Stein, William James, and the Formation of
Belief |
60-87 |
| Will Slocombe |
"This is not
for you": Nihilism and the House that Jacques Built |
88-109 |
| Juliana Chang |
Melancholic
Remains: Domestic and National Secrets in Fae Myenne Ng's Bone |
110-133 |
| A. M. Regier |
Revolutionary
Enunciatory Spaces: Ghost Dancing, Transatlantic Travel, and
Modernist Arson in Gardens in the Dunes |
134-157 |
| Ken Cooper |
Flight of
Ideas: Jonathan Livingston Seagull and the New economy |
158-182 |
| Jeffory A.
Clymer |
Review Essay:
Naturalism's Histories |
183-193 |
| |
Book Reviews |
194-246 |
Issue 2
Guest Editor: Maren Linett
Special Issue: Modernism's Jews / Jewish Modernisms
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Maren Linett |
Introduction:
Modernism's Jews/Jewish Modernisms |
249-257 |
| Sara Blair |
Whose
Modernism Is It? Abraham Cahan, Fictions of Yiddish, and the Contest
of Modernity |
258-284 |
| L. Scott
Lerner |
The Subversive
Obedience of Proust and Freud |
285-310 |
| Lara Trubowitz |
In Search of
"the Jew" in Djuna Barnes's Nightwood: Jewishness,
Antisemitism, Structure, and Style |
311-334 |
| Amy Feinstein |
Goy
Interrupted: Mina Loy's Unfinished Novel and Mongrel Jewish Fiction |
335-353 |
| Katja Garloff |
Femininity and
Assimilatory Desire in Joseph Roth |
354-373 |
| Meredith
Goldsmith |
The Year of
the Rose: Jewish Masculinity in The House of Mirth |
374-392 |
| Warren Hoffman |
The Rise (and
fall) of David Levinsky: Performing Jewish American Heterosexuality |
393-415 |
| Lori Harrison-Kahan |
"Drunk with
the fiery rhythms of jazz": Anzia Yezierska, Hybridity, and the
Harlem Renaissance |
416-436 |
| Barbara Will |
Gertrude Stein
and Zionism |
437-455 |
| Marilyn
Reizbaum |
Yiddish
Modernisms: Red Emma Goldman |
456-481 |
Issue 3
Editor: John N. Duvall
Associate Editor: Nancy J. Peterson
General Issue
(Note: This entire volume is available online through
Project
Muse)
| Author |
Title |
Pages |
| Thomas
Heise |
"Going
Blood-Simple Like the Natives": Contagious Urban Spaces and
Modern Power in Dashiell Hammett's Red Harvest |
485-512 |
| Wyatt
Bonikowski |
The Return
of the Soldier Brings Death Home |
513-535 |
| Pallavi
Rastogi |
From South
Asia to South Africa: Locating Other Post-colonial Diasporas |
536-560 |
| Monika
Kaup |
The
Unsustainable Hacienda: The Rhetoric of Progress in
Jovita González and Eve Raleigh's
Caballero |
561-591 |
| Hamilton
Carroll |
Traumatic
Patriarchy: Reading Gendered Nationalisms in Chang-rae Lee's
A Gesture Life |
592-616 |
|
Christopher Z. Hobson |
Ralph
Ellison, Juneteenth, and African American Prophecy |
617-647 |
| Matthew J.
Packer |
"At the
Dead Center of Things" in Don DeLillo's White Noise:
Mimesis, Violence and Religious Awe |
648-666 |
| |
Book
Reviews |
667-727 |
| |
Contributors |
728 |
Issue 4
Guest Editors: Jonathan P. Eburne and Jeremy Braddock
Special Issue: Paris, Modern Fiction, and the Black Atlantic
(Note: This entire volume is available online through
Project
Muse)
| Author |
Title |
Pages |
Jonathan
P. Eburne and
Jeremy Braddock |
Introduction: Paris, Capital of the Black Atlantic |
731-740 |
| Rebecka
Rutledge Fisher |
Cultural
Artifacts and the Narrative of History: W. E. B. Du Bois and the
Exhibiting of Culture at the 1900 Paris Exposition Universelle |
741-774 |
| Mark
Whalan |
"The Only
Real White Democracy" and the Language of Liberation: The Great
Wary, France, and African American Culture in the 1920s |
775-800 |
| Jennifer
Wilks |
Writing
Home: Comparative Black Modernism and Form in Jean Toomer and
Aimé Césaire |
801-823 |
| Terri
Francis |
Embodies
Fiction, Melancholy Migrations: Josephine Baker's Cinematic
Celebrity |
824-845 |
| Kevin Bell |
Assuming
the Position: Fugitivity and Futurity in the Work of Chester
Himes |
846-872 |
| Jeffrey
Atteberry |
Entering
the Politics of the Outside: Richard Wright's Critique of
Marxism and Existentialism |
873-895 |
| Richard
Gibson |
Richard
Wright's "Island of Hallucination" and the "Gibson Affair" |
896-920 |
| Michel
Fabre |
René,
Louis, and Léopold: Senghorian Negritude as a Black Humanism |
921-935 |
| Marc
Caplan |
Nos Ancêtres,
les Diallobés: Cheikh
Hamidou Kane's Ambiguous Adventure and the Paradoxes of Islamic
Negritude |
936-957 |
| Pius
Adesanmi |
Redefining
Paris: Trans-Modernity and Francophone African Migritude Fiction |
958-975 |
| T. Denean
Sharpley-Whiting |
Afterword:
Europhilia, Francophilia, Negrophilia in the Making of the
Modernism |
976-978 |
|