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Modern Fiction Studies: A
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Volume 47 - 2001
[Issue 1
2 3 4]
Issue 1
Guest Editor: Stephen Ross
Special Issue: Working-Class Fiction
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Stephen Ross |
Introduction:
Working-Class Fictions |
1-11 |
| Peter
Hitchcock |
"Work Has the
Smell of Vinegar": Sensing Class in John Berger's Trilogy |
12-42 |
| Tamas Dobozy |
In the Country
of Contradiction the Hypocrite is King: Defining Dirty Realism in
Charles Bukowski's Factotum |
43-68 |
| Nicole Moore |
The Politics
of Cliché: Sex, Class, and Abortion in Australian Realism |
69-91 |
| Peter Kalliney |
Cities of
Affluence: Masculinity, Class, and the Angry Young Men |
92-117 |
| Ian Peddie |
Poles Apart?
Ethnicity, Race, Class, and Nelson Algren |
118-144 |
| Bill V. Mullen |
Breaking the Signifying Chain: A New Blueprint for African-American
Literary Studies |
145-163 |
| Tim Libretti |
The Other Proletarians: Native American Literature and Class
Struggle |
164-189 |
| Lise Sanders |
The Failures of the Romance: Boredom, Class, and Desire in George
Gissing's The Odd Women and W. Somerset Maugham's Of Human
Bondage |
190-228 |
| Paula
Rabinowitz |
Domestic Labor: Film Noir, Proletarian Literature, and Black Women's
Fiction |
229-254 |
| Asha
Varadharajan |
A Theoretical Afterword |
255-276 |
| |
Contributors |
277-278 |
Issue 2
Editor: William J. Palmer
Assistant Editor: John N. Duvall
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Jean Gallagher |
Vision and
Inversion in Nightwood |
279-305 |
| Paul B.
Armstrong |
The Narrator
in the Closet: The Ambiguous Narrative Voice in Howards End |
306-328 |
| Erik Dussere |
Accounting for
Slavery: Economic Narratives in Morrison and Faulkner |
329-355 |
| Peter Mallios |
Undiscovering
the Country: Conrad, Fitzgerald, and Meta-National Form |
356-390 |
| Brian May |
J. M. Coetzee
and the Question of the Body |
391-420 |
| Magali Cornier
Michael |
Rethinking
History as Patchwork: The Case of Atwood's Alias Grace |
421-447 |
| Suzanne Young |
(Review Essay)
The Simple Art of Detection: The Female Detective in Victorian and
Contemporary Mystery Novels |
448-457 |
| David Herman |
(Review Essay)
Re-effectuating Joyce |
458-464 |
| John C. Hawley |
In Search of
African Literary Theory |
465-470 |
| |
Book Reviews |
471-549 |
| |
Contributors |
550-551 |
Issue 3
Guest Editor: David Herman
Special Issue: Iris Murdoch
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| David Herman |
Introduction:
Approaches to Murdoch |
551-557 |
| Michael
Levenson |
Iris Murdoch:
The Philosophic Fifties and The Bell |
558-579 |
| Bran Nicol |
Philosophy's
Dangerous Pupil: Murdoch and Derrida |
580-601 |
| A. E. Denham |
Envisioning
the Good: Iris Murdoch's Moral Psychology |
602-629 |
| Katherine
Weese |
Feminist Uses
of the Fantastic in Iris Murdoch's The Sea, the Sea |
630-656 |
| W. S. Hampl |
Desires
Deferred: Homosexual and Queer Representations in the Novels of Iris
Murdoch |
657-673 |
| Richard Todd |
Realism
Disavowed? Discourses of Memory and High Incarnations in
Jackson's Dilemma |
674-695 |
| S. B. Sagare |
An Interview
with Iris Murdoch |
696-714 |
| |
Book Review |
715-717 |
| |
Contributors |
718-719 |
Issue 4
Editor: John N. Duvall
Assistant Editor: Siobhan Somerville
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| John N. Duvall |
Editor's Note |
721-722 |
| David Adams |
"Remorse and
Power": Conrad's Karain and the Queen |
723-752 |
|
Eric D. Smith |
A Slow and Dark Birth: Aesthetic Maturation and the Entelechic
Narrative in James Joyce's Ulysses |
753-773 |
|
Sean Latham |
A Portrait of the Snob: James Joyce and the Anxieties of Cultural
Capital |
774-799 |
|
Stuart Christie |
"A Further Reservation in Favor of Strangeness": Isherwood's Queer
Pastoral in The Mortmere Stories and "On Reugen Island" |
800-830 |
|
Faye Hammill |
Cold Comfort Farm, D. H. Lawrence, and English Literary
Culture between the Wars |
831-854 |
| Ervin Beck |
Postcolonial
Complexity in the Writings of Rudy Wiebe |
855-886 |
| Tony Myers |
The Postmodern
Imaginary in William Gibson's Neuromancer |
887-909 |
| Felicia J.
Cruz |
On the
"Simplicity" of Sandra Cisneros's House on Mango Street |
910-946 |
| Laura K.
Johnson |
Edith Wharton
and the Fiction of Marital Unity |
947-976 |
| Madelyn
Detloff |
(Review Essay)
Idealized, Debased, and Ordinary: Gender in (Post)Modern Circuits of
Desire |
977-985 |
| Sally Robinson |
(Review Essay)
What's Contemporary about Contemporary Women's Fiction? |
986-994 |
| Tim Engles |
(Review Essay)
The Perils of Disembodied Readership |
995-1003 |
| Susan Harris |
(Review Essay)
James Joyce after Postcolonialism |
1004-1008 |
| William
Cloonan |
Placing the
Unplaceable: The Dilemmas of Samuel Beckett's Fiction |
1009-1018 |
| |
Book Reviews |
1019-1075 |
| |
Contributors |
1076-1077 |
|