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Modern Fiction Studies: A
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Volume 46 - 2000
[Issue 1
2 3 4]
Issue 1
Guest Editors: David Attwell and Barbara Harlow
Special Issue: South African Fiction after Apartheid
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| David Attwell
and Barbara Harlow |
Introduction:
South African Fiction after Apartheid |
1-12 |
| Mark Sanders |
Truth,
Telling, Questioning: The Truth and Reconciliation Commission,
Antjie Krog's Country of My Skull, and Literature after the
Apartheid |
13-41 |
| Michiel Heyns |
The Whole
Country's Truth: Confession and Narrative in Recent White South
African Writing |
42-66 |
| Christopher
Warnes |
The Making and
Unmaking of History in Ivan Vladislavić's
Propaganda by Monuments and Other Stories |
67-89 |
| Jennifer
Wenzel |
The Pastoral
Promise and the Political Imperative: The Plaasroman
Tradition in an Era of Land Reform |
90-113 |
| Tim Trengove
Jones |
Fiction and
the Law: Recent Inscriptions of Gayness in South Africa |
114-138 |
| Stephen
Clingman |
Surviving Murder: Oscillation and Triangulation in Nadine Gordimer's
The House Gun |
139-158 |
| Michael Marais |
"Little enough, less than little: nothing": Ethics, Engagement, and
Change in the Fiction of J. M. Coetzee |
159-182 |
| Grant Farred |
Mourning the Postapartheid State Already? The Poetics of Loss in
Zakes Mda's Ways of Dying |
183-206 |
| Rita Barnard |
The Smell of Apples, Moby-Dick, and Apartheid Ideology |
207-226 |
| Meg Samuelson |
Reading the Maternal Voice in Dindiwe Magona's To My Children's
Children and Mother to Mother |
227-245 |
| Emily R. Zinn |
Rediscovery of the Magical: On Fairy Tales, Feminism, and the New
South Africa |
246-272 |
| Christopher
Warnes |
Interview with Ivan Vladislavić |
273-281 |
| David Attwell
and Barbara Harlow, with Joan Attwell |
Interview with Sindiwe Magona |
282-295 |
| |
Contributors |
296-297 |
Issue 2
Editor: William J. Palmer
Assistant Editor: John N. Duvall
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| John N. Duvall |
Editor's Note |
299 |
| Donald C.
Goellnicht |
Of Bones and
Suicide: SKY Lee's Disappearing Moon Cafe and Fae Myenne Ng's
Bone |
300-330 |
| Stephen Ross |
The Abdication
of Culture: The Ideology of Imagology in Milan Kundera's
Immortality |
331-354 |
| Marya McFadden |
Queerness at
Shrewsbury: Homoerotic Desire in Gaudy Night |
355-378 |
| Ambreen Hai |
Border Work,
Border Trouble: Postcolonial Feminism in Bapsi Sidhwa's Cracking
India |
379-426 |
| Hilde Staels |
Intertexts of
Margaret Atwood's Alias Grace |
427-450 |
| Jim Murphy |
Revolutionary
Pursuits: Engagements of History and Character in Steve Erickson's
Arc d'X |
451-479 |
| Mitchell R.
Lewis |
(Review Essay)
Timely Materialisms: New Combinations of Poststructuralism and
Cultural Critique |
480-495 |
| Kanishka
Chowdhury |
(Review Essay)
Postcolonial Longings |
496-500 |
| Michael du
Plessis |
(Review Essay)
Nostalgia for a Homogeneous Gay Masculinity |
501-512 |
| |
Book Reviews |
513-567 |
| |
Contributors |
568-569 |
Issue 3
Guest Editor: John Paul Riquelme
Special Issue: Gothic and Modernism
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| John Paul
Riquelme |
Introduction:
Toward a History of Gothic and Modernism: Dark Modernity from Bram
Stoker to Samuel Beckett |
585-608 |
| John Paul
Riquelme |
Oscar Wilde's
Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The
Picture of Dorian Gray |
609-631 |
| Joseph Valente |
"Double Born":
Bram Stoker and the Metrocolonial Gothic |
632-645 |
| Patrick R.
O'Malley |
Oxford's
Ghosts: Jude the Obscure and the End of Gothic |
646-674 |
| Susan Kollin |
Race, Labor,
and the Gothic Western: Dispelling Frontier Myths in Dorothy
Scarborough's The Wind |
675-694 |
| Charles J.
Rzepka |
"I'm in the
Business Too": Gothic Chivalry, Private Eyes, and Proxy Sex and
Violence in Chandler's The Big Sleep |
695-724 |
| Ruth Helyer |
Parodied to
Death: The Postmodern Gothic of American Psycho |
725-748 |
| Penny Fielding |
Reading Rooms:
M. R. James and the Library of Modernity |
749-771 |
| Graham Fraser |
"No More than
Ghosts Make": The Hauntology and Gothic Minimalism of Beckett's Late
Work |
772-788 |
| Anne Williams |
(Review Essay)
The Horror, The Horror: Recent Studies in Gothic Fiction |
789-799 |
| |
Contributors |
800-801 |
Issue 4
Editor: William J. Palmer
Assistant Editor: John N. Duvall
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Laura Barrett |
Compositions
of Reality: Photography, History, and Ragtime |
801-824 |
| Susan Levison |
Performance
and the "Strange Place" of Jessie Redmon Fauset's There is
Confusion |
825-848 |
|
Carol E. Henderson |
The "Walking Wounded": Rethinking Black Women's Identity in Ann
Petry's The Street |
849-867 |
|
Dana Dragunoiu |
Hemingway's Debt to Stendhal's Armance in The Sun Also
Rises |
868-892 |
|
Tobey C. Herzog |
Tim O'Brien's "True Lies" (?) |
893-916 |
|
Robert Seguin |
Ressentiment and the Social Poetics of The Great Gatsby:
Fitzgerald Reads Cather |
917-940 |
| Jessica Berman |
(Review Essay)
No Consensus on Ethics: New Work in Ethical Criticism |
941-948 |
| Janet Dean |
(Review Essay)
Searching for the New Western Literary Criticism |
949-958 |
| Pericles Lewis |
(Review Essay)
The Politics of Modernism |
959-965 |
| Jean Gallagher |
(Review Essay)
Interdisciplinary Modernisms |
966-970 |
| Elizabeth M.
Fox |
(Review Essay)
Psychodynamics, Seeing, and Being in D. H. Lawrence |
971-978 |
| Pierre-Damien
Mvuyekure |
(Review Essay)
The Critical Reception of Ishmael Reed |
979-983 |
| Beryl
Schlossman |
(Review Essay)
Polyphony and Memory in James Joyce's Fiction |
984-988 |
| David
McWhirter |
(Review Essay)
Our Henry James? |
989-997 |
| Carol E.
Henderson |
(Review Essay)
Freedom to Self-Create: Identity and the Politics of Movement in
Contemporary African American Fiction |
998-1003 |
| Frederick Luis
Aldama |
(Review Essay)
Re-Visioning African American Autobiography |
1004-1007 |
| Ethan Goffman |
(Review Essay)
Tangled Roots: History, Theory, and African American Studies |
1008-1016 |
| Arturo Arias |
(Review Essay)
Conjunctions, Disjunctions: Similar Goals, Contradictory Strategies |
1017-1024 |
| |
Book Reviews |
1025-1054 |
| |
Contributors |
1055-1057 |
|