|
Author |
Title |
Pages |
| Margot Norris |
Introduction:
Modernisms and Modern Wars |
505-512 |
| Christine
Darrohn |
"Blown to
bits!": Katherine Mansfield's "The Garden-Party" and the Great War |
513-539 |
| Matthew Kibble |
The
"Still-Born Generation": Decadence and the Great War in H. D.'s
Fiction |
540-567 |
| Phoebe Stein
Davis |
"Even cake
gets to have another meaning": History, Narrative, and "Daily
Living" in Gertrude Stein's World War II Writings |
568-607 |
| David M. Owens |
Gertrude
Stein's "Lifting Belly" and the Great War |
608-618 |
| Donald M.
Kartiganer |
"So, I, who
had never had a war . . .": William Faulkner, War, and the Modern
Imagination |
619-648 |
| Karen
DeMeester |
Trauma and
Recovery in Virginia Woolf's Mrs. Dalloway |
649-673 |
| Anne Whitehead |
Open to
Suggestion: Hypnosis and History in Pat Barker's Regeneration |
674-694 |
| David R.
Jarraway |
"Excremental
Assault" in Tim O'Brien: Trauma and Recovery in Vietnam War
Literature |
695-714 |
| Celia M.
Kingsbury |
"Infinities of
Absolution": Reason, Rumor, and Duty in Joseph Conrad's "The Tale" |
715-729 |
| Margot Norris |
Modernism and
Vietnam: Francis Ford Coppola's Apocalypse Now |
730-766 |
| Damon Marcel
DeCoste |
"Do you
remember to-morrow?": Modernism and its Second War in Malcolm
Lowry's Under the Volcano |
767-791 |
| Phyllis
Lassner |
"Camp follower
of catastrophe": Martha Gellhorn's World War II Challenge to the
Modernist War |
792-812 |
| Andrew J.
Kunka |
(Review Essay)
"Adversary Proceedings": Recent Books on War and Modernism |
813-833 |
| |
Contributors |
834-835 |