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Volume 43 - 1997
[Issue 1
2 3 4]
Issue 1
Guest Editor: Donald E. Pease
Special Issue: National and Postnational Narratives
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Donald E.
Pease |
Introduction:
National Narratives, Postnational Narration |
1-26 |
| Jonathan Crewe |
The Specter of
Adamastor: Heroic Desire and Displacement in "White" South Africa |
27-52 |
| Jonathan Paul
Eburne |
Trafficking in
the Void: Burroughs, Kerouac, and the Consumption of Otherness |
53-92 |
| Liam Kennedy |
"It's the
Third World Down There!" Urban Decline and (Post)National
Mythologies in Bonfire of the Vanities |
93-114 |
| Gillian Brown |
Fables and the
Forming of Americans |
115-143 |
| Carla Kaplan |
Undesirable
Desire: Citizenship and Romance in Modern American Fiction |
144-169 |
| Robert L.
Caserio |
Queer Passions, Queer Citizenship: Some Novels about the State of
the American Nation 1946-1954 |
170-208 |
| Mark A. R.
Kemp |
The Marble Faun and American Postcolonial Ambivalence |
209-236 |
| Amy Kaplan |
Imperial Triangles: Mark Twain's Foreign Affairs |
237-248 |
| Ramchandran
Sethuraman |
Evidence-cum-witness: Subaltern History, Violence, and the (De)Formation
of Nation in Michelle Cliff's No Telephone to Heaven |
249-287 |
Issue 2
Editor: Patrick O'Donnell
Assistant Editor: Nancy J. Peterson
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Patrick
O'Donnell |
From the
Editor |
291-293 |
| Beverly
Haviland |
Passing from
Paranoia to Plagiarism: The Abject Authorship of Nella Larsen |
295-318 |
| Rishona
Zimring |
Conrad's
Pornography Shop |
319-348 |
| Christopher
Gair |
The Crumbling
Structure of "Appearances": Representation and Authenticity in
The House of Mirth and The Custom of the Country |
349-373 |
| Andrew P.
Hoberek |
The "Work" of
Science Fiction: Philip K. Dick and Occupational Masculinity in the
Post-World War II United States |
374-404 |
| Paul Jay |
Translation,
Invention, Resistance: Rewriting the Conquest in Carlos Fuentes's
"The Two Shores" |
405-431 |
| Chip Rhodes |
Review Essay:
Removing the Veil: Race, Modernism, and Cultural Pluralism in Four
Recent Studies of Twenties U.S. Culture |
432-449 |
| |
Book Reviews |
450-570 |
Issue 3
Guest Editor: N. Katherine Hayles
Special Issue: Technocriticsm and Hypernarrative
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| N. Katherine
Hayles |
Introduction:
Situating Narrative in an Ecology of New Media |
573-578 |
| Michael Joyce |
Nonce Upon
Some Times: Rereading Hypertext Fiction |
579-597 |
| Jaishree K.
Odin |
The Edge of
Difference: Negotiations between the Hypertextual and the
Postcolonial |
598-630 |
| Sue-Ellen Case |
Eve's Apple,
or Women's Narrative Bytes |
631-650 |
| Stuart
Moulthrop |
Pushing Back:
Living and Writing in Broken Space |
651-676 |
| Marie-Laure
Ryan |
Interactive
Drama: Narrativity in a Highly Interactive Environment |
677-707 |
| Thomas Foster |
"Trapped by
the Body?" Telepresence Technologies and Transgendered Performance
in Feminist and Lesbian Rewritings of Cyberpunk Fiction |
708-744 |
| Joseph Tabbi |
Solitary
Inventions: David Markson at the End of the Line |
745-772 |
| Robert Markley |
Falling into
Theory: Simulation, Terraformation, and Eco-Economics in Kim Stanley
Robinson's Martian Trilogy |
773-799 |
| N. Katherine
Hayles |
Corporeal
Anxiety in Dictionary of the Khazars: What Books Talk about
in the Late Age of Print When They Talk about Losing Their Bodies |
800-820 |
Issue 4
Editor: William J. Palmer
Assistant Editor: Nancy J. Peterson
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| William J.
Palmer |
Editor's Note |
823-825 |
| Marc DaRosa |
Henry James,
Anonymity, and the Press: Journalistic Modernity and the Decline of
the Author |
826-859 |
|
Ricahrd A. Kaye |
Edith Wharton and the "New Gomorrahs" of Paris: Homosexuality,
Flirtation, and Incestuous Desire in The Reef |
860-897 |
|
Robert Dale Parker |
Who Shot the Sheriff: Storytelling, Indian Identity, and the
Marketplace of Masculinity in D'Arcy McNickle's The Surrounded |
898-932 |
|
Eleanor F. Shevlin |
Cartographic Refrains and Postcolonial Terrains: Mariama Bâ's
Scarlet Song |
933-962 |
|
Joseph Alkana |
"Do we know the meaning of aesthetic gratification?" Cynthia Ozick's
The Shawl, the Akedah, and the Ethics of Holocaust Literary
Aesthetics |
963-990 |
| |
Book Reviews |
991-1082 |
|