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Volume 27 - 1981

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[Issue 1  2  3  4].

Issue 1

Guest Editor: Shaun F. D. Hughes
Special Issue: Modern New Zealand and Australian Fiction

Author	Title	Pages
Shaun F. D. Hughes	An Editor's Preface: ". . . Scanning the Land for a Feasible Dog"	3-12
Shaun F. D. Hughes	Pakeha and Maori behind the Tattooed Face: The Emergence of a Polynesian Voice in New Zealand Fiction	13-30
P. D. Evans	"Farthest from the Heart": The Autobiographical Parables of Janet Frame	31-44
Helen Daniel	The Aborigine in Australian Fiction Stereotype to Archetype?	45-60
John Scheckter	The Lost Child in Australian Fiction	61-72
Brian Kiernan	Frank Moorhouse: A Retrospective	73-94
John B. Beston	The Theme of Reconciliation in Stow's To the Islands	95-108
Marian Arkin	Literary Transvestism in Eve Langley's The Pea-Pickers	109-120
Thomas L. Warren	Patrick White: The Early Novels	121-140
Susan A. Wood	The Power and Failure of "Vision" in Patrick White's Voss	141-158
Manly Johnson	Twyborn: The Abbess, the Bulbul, and the Bawdy House	159-172
Shaun F. D. Hughes	Neat Books, Eh! Recent Academic Forays into Antipodean Fiction	173-188
Rose Marie Beston and John B. Beston	Critical Writings on Modern New Zealand and Australian Fiction: A Selected Checklist	189-204

 

Issue 2

Editors: Margaret Church and William T. Stafford
General Issue

Author	Title	Pages
D. H. Fussell	"Do You Like Poe, Mr. Hardy?"	211-224
Victor Strandberg	Passion and Delusion in A Book of Common Prayer	225-242
Arnold E. Davidson	Canadian Gothic and Anne Hébert's Kamouraska	243-254
Thomas E. Connolly	Point of View in Faulkner's Absalom, Absalom!	255-272
Lawrence D. Joiner and Joseph W. Zdenek	Art, Renunciation, and Religious Imagery in Proust and Azorin	273-277
Maria Banerjee	"The American Revolver": An Essay on Dostoevsky's The Devils	278-283
Eleanor B. Wymard	"A New Version of the Midas Touch": Daniel Martin and The World According to Garp	284-286
Jeffrey L. Meikle	"Other Frequencies": The Parallel Worlds of Thomas Pynchon and H. P. Lovecraft	287-294
John V. Knapp	Orwell's Fiction: Funny but not Vulgar	294-301
	Recent Books on Modern Fiction	303-424

 

Issue 3

Guest Editor: A. A. DeVitis
Special Issue: Anthony Burgess

Author	Title	Pages
A. A. DeVitis	Editor's Preface	427-428
Samuel Coale	An Interview with Anthony Burgess	429-452
Samuel Coale	The Ludic Loves of Anthony Burgess	453-464
Timothy R. Lucas	The Old Shelley Game: Prometheus & Predestination in Burgess' Works	465-478
Philip E. Ray	Alex Before and After: A New Approach to Burgess' A Clockwork Orange	479-488
James I. Bly	Sonata Form in Tremor of Intent	489-504
John J. Stinson	Better to Be Hot or Cold: 1985 and the Dynamic of the Manichean Duoverse	505-516
Geoffrey Aggeler	Faust in the Labyrinth: Burgess' Earthly Powers	517-532
Samuel Coale	Criticism of Anthony Burgess: A Selected Checklist	533-536

 

Issue 4

Editors: Margaret Church and William T. Stafford
General Issue

Author	Title	Pages
Ben Stoltzfus	Dead, Desacralized, and Discontent: Robbe-Grillet's New Man	543-554
Timothy Steele	The Structure of the Detective Story: Classical or Modern?	555-570
Morton P. Levitt	The Novels of B. S. Johnson: Against the War against Joyce	571-586
Thomas LeClair	William Gaddis, JR, & the Art of Excess	587-600
Kulwant Singh Gill	Aldous Huxley: The Quest for Synthetic Sainthood	601-612
Frederick Ramey	Words in the Service of Silence: Preverbal Language in Lawrence's The Plumed Serpent	613-621
Thomas L. Kent	Epistemological Uncertainty in The Red Badge of Courage	621-628
Joseph Allen Boone	The Meaning of Elvedon in The Waves: A Key to Bernard's Experience and Woolf's Vision	629-637
Walter F. Kolonosky	Perception and Perspectives: The Function of Windows in Doctor Zhivago	638-646
	Recent Books on Modern Fiction	647-770
	Author and Subject Index: Volume 27	771-774