Editors: William T. Stafford and Margaret Church
Special Issue: Virginia Woolf
|
Author |
Title |
Pages |
| R. T. Chapman |
The Lady in
the Looking-Glass: Modes of Perception in a Short Story by
Virginia Woolf |
331-338 |
| Melinda Feldt
Cumings |
Night and
Day: Virginia Woolf's Visionary Synthesis of Reality |
339-350 |
| Barry
Morgenstern |
The
Self-Conscious Narrator in Jacob's Room |
351-362 |
| Kenneth J.
Ames |
Elements of
Mock-Heroic in Virginia Woolf's Mrs. Dalloway |
363-374 |
| Miroslav Beker |
London as a
Principle of Structure in Mrs. Dalloway |
375-386 |
| Marilyn
Schauer Samuels |
The Symbolic
Function of the Sun in Mrs. Dalloway |
387-400 |
| Lee M.
Whitehead |
The Shawl and
the Skull: Virginia Woolf's "Magic Mountain" |
401-416 |
| Annis Pratt |
Sexual Imagery
in To the Lighthouse: A New Feminist Approach |
417-432 |
| Jack F.
Stewart |
Existence and
Symbol in The Waves |
433-448 |
| Susan Gorsky |
"The Central
Shadow": Characterization in The Waves |
449-466 |
| Stephen D. Fox |
The Fish Pond
as Symbolic Center in Between the Acts |
467-474 |
| Jacqueline E.
M. Latham |
The Manuscript
Revisions of Virginia Woolf's Mrs. Dalloway: A Postscript |
475-476 |
| Barbara Weiser |
Criticism of
Virginia Woolf from 1956 to the Present: A Selected Checklist with
an Index to Studies of Separate Works |
477-487 |