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Modern Fiction Studies: A
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Volume 17 - 1971
[Issue 1
2 3 4]
Issue 1
Editorial Board: William T. Stafford (Chairman, on leave), William Bache,
Margaret Church (Acting Chair), and Mark Rowan
Special Issue: The Modern German Novel
|
Author |
Title |
Pages |
| Peter F.
Neumeyer |
Franz Kafka,
Sugar Baron |
5-16 |
| Oskar Weber |
Chapter
Fourteen, "The Second Home" from Oskar Weber The Sugar Baron
(Trans. Peter F. Neumeyer) |
17-20 |
| S. Sandbank |
Action as
Self-Mirror: On Kafka's Plots |
21-30 |
| Kurt J.
Fickert |
A Literal
Interpretation of "In the Penal Colony" |
31-36 |
| Leonard Moss |
A Key to the
Door Image in "The Metamorphosis" |
37-44 |
| James C. Bruce |
The Motif of
Failure and the Act of Narrating in Günter Grass's
Örtlich Betäubt |
45-60 |
| J. K. Sosnoski |
Oskar's Hungry
Witch |
61-80 |
| Marilyn Gaddis
Rose |
More on the
Musical Composition of Doktor Faustus |
81-90 |
| Frank J.
Kearful |
The Role of
Hermes in The Confessions of Felix Krull |
91-108 |
| Meno Spann |
A New
Translation |
109-114 |
| Eugene Webb |
Hermine and
hte Porlbem of Harry's Failure in Hesse's Steppenwolf |
115-124 |
| Leon L. Titche,
Jr. |
Döblin
and Dos Passos: Aspects of the City Novel |
125-138 |
| Margaret
Church, Ronald Cummings, Charles Whitaker |
Bibliography: Five Modern German
Novelists (1960-1970) |
139-156 |
Issue 2
Editorial Board: William T. Stafford (Chairman, on leave), William Bache,
Margaret Church (Acting Chair), and Mark Rowan
General Issue
|
Author |
Title |
Pages |
| Joan Goulianos |
A Conversation
with Lawrence Durell about Art, Analysis, and Politics |
159-166 |
| Chet Taylor |
Dissonance and
Digression: The Ill-Fitting Fusion of Philosophy and Form in
Lawrence Durrell's Alexandra Quartet |
167-180 |
| H. A. Bouraoui |
The Face in
the Mirror: Bernanos' Hero as Artist in Journal d'un curé de
campagne |
181-192 |
| Donald W.
Markos |
Life against
Death in Henderson the Rain King |
193-206 |
| Roger B.
Henkle |
Pynchon's
Tapestries on the Western Wall |
207-220 |
| Stephen B.
Bennett and William W. Nichols |
Violence in
Afro-American Fiction: An Hypothesis |
221-228 |
| Purvis E.
Boyette |
Myra
Breckinridge and Imitative Form |
229-238 |
| Lewis J.
Poteet |
Dorian Gray
and the Gothic Novel |
239-248 |
| Robert Foulke |
Postures of
Belief in The Nigger of the "Narcissus" |
249-262 |
| David G. Speer |
Camus' Fait
Divers |
263-264 |
| Eleanor
Swanson |
Samuel
Beckett's Watt: A Coming and a Going |
264-268 |
| Paul A.
Fortier |
Marxist
Criticism of Céline's Voyage au bout de la nuit |
268-272 |
| |
Recent Books
on Modern Fiction |
273-341 |
Issue 3
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
Special Issue: Norman Mailer
|
Author |
Title |
Pages |
| Donald L.
Kaufmann |
The Long
HappyLife of Norman Mailer |
347-360 |
| John M. Muste |
Norman Mailer
and John Dos Passos: The Question of Influence |
361-374 |
| Richard D.
Finholt |
"Otherwise How
Explain?" Norman Mailer's New Cosmology |
375-386 |
| David F. Burg |
The Hero of
The Naked and the Dead |
387-402 |
| John Stark |
Barbary
Shore: The Basis of Mailer's Best Work |
403-408 |
| Richard Pearce |
Norman
Mailer's Why are We in Vietnam?: A Radical Critique of
Frontier Values |
409-414 |
| Roger Ramsey |
Current and
Recurrent: The Vietnam Novel |
415-432 |
| Robert
Merideth |
The 45-Second
Piss: A Left Critique of Norman Mailer and The Armies of the
Night |
433-450 |
| Donald L.
Kaufmann |
Mailer's Lunar
Bits and Pieces |
451-454 |
| Laura Adams |
Criticism of
Norman Mailer: A Selected Checklist |
455-463 |
Issue 4
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
General Issue
|
Author |
Title |
Pages |
| Harold M.
Hurwitz |
Hemingway's
Tutor, Ezra Pound |
469-482 |
| Adeline R.
Tintner |
James's Mock
Epic: "The Velvet Glove," Edith Wharton, and Other Late Tales |
483-500 |
| Jeanne
Delbaere-Garant |
From the
Cellar to the Rock: A Recurrent Pattern in William Golding's Novels |
501-512 |
| Kinley E. Roby |
Arnold
Bennett's Social Conscience |
513-524 |
| Roger Ramsey |
Parody and
Mystery in Dürrenmatt's The Pledge |
525-532 |
| Richard H.
Cracroft |
A Pebble in
the Pool: Organic Theme and Structure in Thomas Wolfe's You Can't
Go Home Again |
533-554 |
| Peter F.
Neumeyer |
Janouch's
Conversations with Kafka: Some Questions |
555-557 |
| Donna
Gerstenberger |
"The Open
Boat": Additional Perspective |
557-561 |
| Lawrence Jay
Dessner |
Thomas Wolfe's
Mr. Katamoto |
561-565 |
| Barbara S.
Groseclose |
Hemingway's
"The Revolutionist": An Aid to Interpretation |
565-570 |
| Igor Webb |
"Things in
Themselves": Virginia Woolf's the Waves |
570-574 |
| Michael K.
Goldberg |
Dickens and
Lawrence: More on Rocking Horses |
574 |
| |
Recent Books
on Modern Fiction |
575-659 |
|