| Award Date |
Author |
Title |
Issue |
Pages |
| 1984 |
Carl Freedman |
Antinomies
of 1984 |
30.4 |
601-20 |
| 1985 |
Paul M. Hadeen |
A Symbolic Center in a
Conceptual Country: A Gassian Rubric for The Sound and the
Fury |
31.4 |
623-43 |
| 1986 |
Thomas C. Beattie
Ronald R. Thomas |
Moments of Meaning Dearly
Achieved: Virginia Woolf’s Sense of an Ending
In the Company of
Strangers: Absent Voices in Stevenson’s Dr. Jekyll and Mr.
Hyde and Beckett’s Company |
32.4
32.2 |
521-41
157-73 |
| 1987 |
Tom LeClair
Liliane Weissberg |
Deconstructing the Logos:
Don DeLillo’s End Zone
Editing Adventures: Writing the
Text of Julius Rodman |
33.1
33.3 |
105-23
413-30 |
| 1988 |
Alan Nadel |
Reading the Body:
Alice Walker’s Meridian and the Archeology of Self |
34.1 |
55-68 |
| 1989 |
Margot Norris |
Stifled Back Answers:
The Gender Politics of Art in Joyce’s "The Dead” |
35.3 |
479-503 |
| 1990 |
Kim McMullen |
The Fiction of Correspondence: LETTERS and History |
36.3 |
405-20 |
| 1991 |
Kofi Owusu |
The Politics of
Interpretation: The Novels of Chinua Achebe |
38.3 |
459-70 |
| 1992 |
Richard Begam |
Splitting the Différance: Beckett, Derrida and the Unnamable |
38.4 |
873-92 |
| 1993 |
Chris Bongie |
“Lost in the Maze of
Doubting": J. M. Coetzee’s Foe and the Politics of
(Un)likeness |
39.2 |
261-81 |
| 1994 |
Ross Chambers
Margaret Scanlon |
Meditation and the
Escalator Principle (On Nicholson Baker’s The Mezzanine)
Writers among Terrorists:
Don DeLillo’s Mao II and the Rushdie Affair |
40.4
40.2 |
765-806
229-52 |
| 1995 |
John A. McClure
Thomas B. Byers |
Postmodern/Post-secular:
Contemporary Fiction and Spirituality
Terminating the Postmodern:
Masculinity and Pomophobia |
41.1
41.1 |
141-63
5-33 |
| 1996 |
Barbara Foley |
Jean Toomer’s Washington and
the Politics of Class: From "Blue Veins" to Seventh Street
Rebels |
42.2 |
289-321 |
| 1997 |
Beverly Haviland |
Passing from Paranoia to
Plagiarism: The Abject Authorship of Nella Larsen |
43.2 |
295-318 |
| 1998 |
Sarah Cole |
Conradian Alienation and
Imperial Intimacy |
44.2 |
251-81 |
| 1999 |
Celia Marshik |
"Public Women": Prostitution
and Censorship in Three Novels by Virginia Woolf |
45.4 |
853-86 |
| 2000 |
Mark Sanders |
Truth, Telling, Questioning:
The Truth and Reconciliation Commission, Antjie Krog's Country of My Skull, and Literature after Apartheid |
46.1 |
13-41 |
| 2001 |
Jean Gallagher |
Vision
and Inversion in Nightwood |
47.2 |
279-305 |
| 2002 |
Erin G. Carlston |
Secret Dossiers: Sexuality,
Race, and Treason in Proust and the Dreyfus Affair |
48.4 |
937-68 |
| 2003 |
Yung-Hsing Wu |
Doing Things with Ethics: Beloved, Sula, and the Reading of Judgment |
49.4 |
780-805 |
| 2004 |
Urmila Seshagiri
Jonathan Boulter |
Orienting Virginia Woolf: Race, Aesthetics, and Politics in To the Lighthouse
Does Mourning Require a Subject? Samuel
Beckett's Texts for Nothing |
50.1
50.2 |
58-84
332-50 |
| 2005 |
Sara Blair |
Whose Modernism is it? Abraham Cahan, Fictions of Yiddish, and
the Contest of Modernity |
51.2 |
258-84 |
| 2006 |
Hsuan L.
Hsu |
Mimicry, Spatial Captation, and Feng Shui in Han Ong's Fixer
Chao |
52.3 |
675-704 |
| 2007 |
Carey Snyder |
“When the Indian was in Vogue": D. H. Lawrence, Aldous Huxley, and Ethnological Tourism in the Southwest” |
53.4 |
662-96 |
| 2008 |
Sarah Crangle |
The Time Being: On Woolf and Boredom |
54.2 |
209-32 |
| 2009 |
Rob Nixon |
Neoliberalism, Slow Violence, and the Environmental Picaresque |
55.3 |
443-67 |
| 2010 |
Adam Barrows |
'The Shortcomings of Timetables': Greenwich, Modernism, and the Limits of Modernity |
56.2 |
262-89 |
2011 |
Laura Saltz |
"The Vision-Building Faculty": Naturalist Vision in The House of Mirth |
57.1 |
17-46 |
