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Barbara Kruger |
Wayne Thiebaud |
Sol Lewitt |
Jim Dine |
Graham Caldwell |
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Installation at Mary Boon Gallery |
Two Candy Sticks, 2004, o/wd, 10-3/8 x 12-5/8" |
Progression from Two Corners, 1996, wood painted white on gray flat
base, 50 x 30 x 30" |
Eleven Part Self-Portrait (Red Pony), 1964-65, lithograph, 41-1/4 x
29 5/8" |
Slowly Growing Things |
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William Wegman |
Kenny Scharf |
Tracey Emin |
Tracey Emin |
Vanessa Beecroft |
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Dog to Dog: a Weimaraner wears on of Wegman's stain and
odor resistant fabrics |
Felix on a Pedestal, 1982 |
Six schoolgirls star in "Top Spot" set in Margate, Kent,
where Emin grew up, 2004 |
Tracey Emin on the set of "Top Spot", 2004 |
VB54, 2004, video |
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Henry Darger |
Dennis Oppenheim |
Howtan |
Mus. and Art Gallery of Lower Austria |
Mus. and Art Gallery of Lower Austria |
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"Spangled Blengins, Boy King Islands" |
Device to Root Out Evil, 1997, from Venice Biennale, |
Light on Hell and Paradise |
dried remains of the pine tree under which Schubert often composed |
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Mus. and Art Gallery of Lower Austria |
Mark Keller |
Ron Mueck |
Robert Kushner |
Iran do Espirito Santo |
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A stuffed brown bear over central atrium |
The Melody Lingers, 2004, oil/linen, 48 x 36" |
Pregnant Woman, 2002, mixed media, H: more than 8' |
White Amaryllis, 2004, mixedmedia, oil, acrylic, palladiuim leaf and
glitter on Japanese doors, 68-1/4" x 76" |
6 x 200W, aluminum,Install view at Sean Kelly |
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Berlinde de Bruyckere |
Vik Muniz |
Franz West |
Paul Noble |
Kenneth Noland |
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Speechless Grey Horse, 2004, pv-foam, resin, horsehide, 6'3" x 10'3"
x 3'8". |
Self-portrait, (I am too sad to tell you, after Bas Jan Ader) from
the "Rebus Series", 2003, dye-destruction print, 6'3" x 7'7" |
Krad, 1996/2003, motorcycle and mud, 43" x 30" x 6'8", installation
view, Hamburger Bahnhof, Mus. fur Gegenwart. |
Mall, 2001-2002, pencil on paper, 13'1" x 9'10" |
Fall Blues, 1961-1964 acrylic/canvas, 65-7/8 x 64-7/8" |
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Donald Judd and Robert Mangold |
Stuart Davis |
Paul Henry Ramirez |
Lucien Pellat-Finet |
Deborah Claxton |
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Sixth Aveneue El, 1931, lithograph, 11-7/8 x 17-7/8" |
Installation view Mary Boone Gallery, 2004 |
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May Radiance, 2002, cut paper only, 29-1/2 x 36 in |
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Jock Sturges |
Nayland Blake |
David Mach |
Vik Muniz |
Hans Accola |
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Eva: Le Porge, France, 2003 |
Gorge Lunchbox, 2004, showing the artist being fed watermelon |
Brown Bear, 2003, wooden safety matchsticks, 17 x 16 x 16 inches |
Here working on his Spiral Jetty, 1997, once rendered figures in ice
cubes for liquor ads |
Dog, 2004, wood |
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| On Kawara |
Tad Lauritzen Wright |
Jessica Park |
Kay Walkingstick |
Kay Walkingstick |
| Dec 13, 1977, acrylic/canvas, 10" x 13" |
Incomplete History of my Memories, 2004 |
The Chrysler Building with Perichelion and Transit of Venus #2, 2004 |
Gioioso, Variation II, 2001 |
The Abyss, 1989 |
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| Timothy Greenfield-Sanders |
Timothy Greenfield-Sanders |
Timothy Greenfield-Sanders |
Tania Bruguera |
Tania Bruguera |
| Greenfield-Sanders with antiuq view camera preparing to photograph
porn star Tera Patrick |
Tawny Roberts (porn star) in civilian clothing |
Tawny Roberts (porn star) in work clothes |
Performance with Lamb carcass |
The Body of Silence,1997-1999, performed in a lamb-meat-lined box
where she wrote 'corrections' in a history book, then tore out pages and
ate them |
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| Tania Bruguera |
Tania Bruguera |
Tania Bruguera |
Christine Hiebert |
Allison Bradley |
| The Empty costume, "Dated Flesh I", 2003, features cow guts and sea
salt |
Anima, 1996 |
Bruguera as an African fetish figure in the 1998-99 performance
piece "Displacement" |
Wall Drawing, 2004, blue adhesive tape, 36'7" x 11'6" |
Toy Horse, Ladder Series, 2004,gel.silver print toned in an
espresso-based process,18-1/2"x 43-1/2" |
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| Mario Merz |
Yoan Capote |
Tezh Modarressi |
Anthony James |
Olga Antonova |
| Albero grande solitario(Great Tree Hermit),1995, steel,
glass,stone,and brushwood, approx 13'1-1/2"dia.installation view |
Matrimonio, 2004, leather, 4-1/2"hx28"wx36"d(variable) |
Keep Those Secrets, 2004, mixed media, 19" x 14" |
Haiku XL, 2004, acrylic on canvas, 48" x 48" |
Two Stacked Chinese Teacups, 2004, oil on canvas, 24" x
24" |
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| Bridget Riley |
Scott Fraser |
Meret Oppenheim/MoMA |
R. Crumb |
Lucy Orta |
| Turquoise and Others, 2004 |
Black and White, 2004, oil/canvas, 75" x 59" |
1936, Fur covered cup, saucer and spoon, MoMA, 2004 advertisement |
The Vulture Goddess, 1990, wood, epoxy, clay & latex enamel paint
48" x 40" x 27" |
Body Architecture Foyer D, 2002 |
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| Brian Griffiths |
Judy Chicago |
Alex Katz |
Sarah Morris |
Anette Sauermann |
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Beneath the Stride of Giants, 2004, mixed media,
installation view, 19'8" x 8'2" x 39'4", Saatchi Gallery. |
Rainbow Pickett, 1965/2004, Latex paint on
canvas-covered plywood, 10'6" h x 10'6" w x 9'2" d |
Mariko, 2004 |
still from Los Angeles, 2004, 35 mm/DVD, 26 minutes, 12
seconds. White Cube. |
Wall Relief, 2002, dark gray concrete and light filter,
60 1/2" x 59" x 2 1/2" |
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Tom Friedman |
Robert Neffson |
Nancy Cohen |
Hung Liu |
Euan Macdonald |
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Untitled, 2000, construction paper, 1' x 9'6" x 10 |
Fifty-Seventh Street and Madison Avenue, 2002, oil/canvas, 47" x 62" |
Procession, 2004, glass, sand, and wire, 19" x 8" x6" |
Relic 2, 2004, oil/canvas and wood, 66" x 66" |
File Cabinet, 2004, video stills from continuous video
projection,DVD, 4 minutes |
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Catherine Lee |
Pipilotti Rist |
Ai Weiwei |
Justine Kurland |
Will Alsop |
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Cubic falls, 2004, glazed raku ceramic and nails, 17" x
17-1/2" x 7" |
Herz aufwühlen Herz ausspühlen (Stir Heart Rinse Heart)
2004, audio-video installation (video still) |
"Forever" Bicycles, 2003, 42 bicycles, 112" x 180" |
The Burned Down Forest, Charred Skin, 2004, C-Print, 40"
x 50"(unframed) |
"tabletop" design for the Sharp Centre for Design,
opened 2004 |
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Edward Keinholz |
Dan Flavin |
Helen Frankenthaler |
Jinchi |
Pascal |
| Spit in the Ocean, 1984, mixed media assemblage, 38-1/8" x 72-3/8" x
17' |
Alternate Diagonals of March 2, 1964 (to Donald Judd) |
Sea Strip, 1965 |
Hah (from the Alef series), 2004, ink glue and varnish on canvas, 5
"x 5" |
(no information available) |
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| Maxwell MacKenzie |
Michael Dunbar |
Andy Warhol |
Eva-Maria Wilde |
Francisco Leiro |
| Amor, 2004, color photograph |
Euclid's Cross, fabricated bronze, 21' x 30' x 20' |
Mustard Race Riot, 1963, acrylic, silkscreen inks and graphite on
canvas, 2 panels, overall size: 113-7/8" x 164" |
untitled installation, 2004, tape and mixed media on wood and wall,
dim.var, installation view müllerdechiara, Berlin |
Al paso, 2003, wood plastic, rubber, dimensions variable,
installtion view. Mus. Nacional Centro de Arte Reina Sofia. |
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| Sherrie Levine |
Al Souza |
Bill Tonnesen and John Romero |
Los Carpinteros |
Andrea Fraser |
| Loulou, 2004, mixed media, dimensions variable, installation view.
Faggionato Fine Arts. |
Night Vision, 2004, puzzle parts and glue on wood, 72-1/4" x 85" |
Dalamah Oshalah, Australia, Jahjestic Jedi Gypsy, 2004, photograph
mounted on gator board, 56" x 56" |
Someca, 2002, watercolor and graphite94-1/8" x 60" |
Um monumento as fantasias descartadas (A Monument to Discarded
Fantasies), 2003, carnival costumes from Rio de Janeiro, installation
view.American Fine Arts. |
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| Hans |
Amy Cutler |
Jon Kessler |
Ryan McGinness |
Sharon Engelstein |
| Eye I, 2002, velvet and mixed media, 40" x 70" x 45" |
Waders. 2003. gouache/paper, 40" x 60" |
Heaven's Gate, 2004, mixed media with lights, motors, cameras, and
monitors, 80" x 91" x 123" |
Fiocci non facio, 2004, installation: Beautiful Losers: Contemporary
Art and Street Culture",Yerba Buena Center for the Arts |
Diptip, 2004, ceramic and acrylic |
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| Cindy Sherman |
Kurt Schwitters |
Pascal |
Gillian Wearing |
Mark Bradford |
| Untitled # 416, 2004 |
Merz-Relief, 1928, oil, wood, metal, 65 x 46,4 x 18 cm |
From the Ocean, bass wood, 124" x 18" x 05 |
Self-portrait at 17 years old, 2003 |
Game Recognize Game, 2004 |
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| Franco Mondini-Ruiz |
Tobias Bernstrup |
Tobias Bernstrup |
Tobias Bernstrup |
Anya Gallaccio |
| Infinito Botanica: LA, 2004, at UCLA's Fowler Mus of Cultural
History |
portrait of the artist |
Bernstrup poses fro the CD "Re-Aminate Me" 2002 |
A character in the computer animation "Re-Animate Me, Intro", 2002 |
Red on Green, 1992, instaled at Tehran Museum of Contemporary Art |
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| Katarzyna Kozyra |
Katarzyna Kozyra |
Katarzyna Kozyra |
Wangechi Mutu |
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| Portrait of the artist as diva, 2004 |
Portrait of the artist as Manet's Olympia, 2004 |
Pyramid of Animal, 1993, involved killing animals already headed for
slaughter |
The Bourgeois is Banging on My Head, 2003 |
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