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General
Introduction to Marxism
MARXISM
IS COMPLICATED by
the fact that Marx is by no means the only influence on this critical
school; indeed, given the various sorts of political movements that have
been inspired by this thinker (socialism, Trotskyism, communism, Leninism,
Stalinism, Maoism, radical democracy, etc.), one despairs at trying to
provide a fair and lucid introduction. Add to that the fact that Marx
himself changed his mind on various issues or sometims expressed opinions
that appear mutually exclusive, and one is faced with a rather high hurdle.
Nonetheless, there are a number of Marxist thoughts and thinkers that
have been especially influential on recent scholarly developments (particularly
in literary, cultural, and political studies). In short, the goal of this
section of the Guide to Theory, as with any of the sections, is not to
give an exhaustive account of this critical school but, rather, to give
a sense for the major concepts influencing this approach while attempting
to stay conscious of the various ways that individual terms have been
contested over the last number of decades. The major distinction in Marxist
thought that influences literary and cultural theory is that between traditional
Marxists (sometimes, unfairly, called vulgar Marxists) and what are sometimes
referred to as post-Marxists or neo-Marxists. The major distinction between
these two versions of Marxist thought lies in the concept of ideology:
traditional Marxists tend to believe that it is possible to get past ideology
in an effort to reach some essential truth (eg. the stages of economic
development). Post-Marxists, especially after Louis Althusser, tend to
think of ideology in a way more akin to Jacques Lacan, as something that
is so much a part of our culture and mental make-up that it actively determines
what we commonly refer to as "reality." According to these post-Marxist
critics, there may well be some hard kernel behind our obfuscating perceptions
of reality but that kernel is by definition resistant to articulation.
As soon as one attempts to articulate it, one is at risk of falling back
into ideology. This understanding of ideology is what Fredric Jameson
famously terms the "prison-house of language." The links on
the left will lead you to specific ideas discussed by Marx and those "post-Marxists"
who have proven to be most influential on literary and cultural studies;
however, you might like to begin with a quick overview:
KARL
MARX
is, along with Freud, one of a handful of
thinkers from the last two centuries who has had a truly transformative
effect on society, on culture, and on our very understanding of ourselves.
Although there were a few critics claiming an end to Marxist thought (and
even an end to ideology) after the fall of the communist system in the
former Soviet Union, Marxist thought has continued to have an important
influence on critical thought, all the more so recently after the rise
of globalization studies. As protests at recent G7 and IMF meetings make
clear, the school can also still have important political effects.
LOUIS
ALTHUSSER
represents an important break in Marxist thought, particularly
when it comes to the notion of ideology. His Lacan-inspired version of
Marxism significantly changed the way many Marxists approached both capitalism
and hegemony after the second world war.
FREDRIC
JAMESON is surely
the most influential contemporary Marxist thinker in the United States.
His own alterations of and dialogue with Althusserian and Lacanian thought
have established him as an important influence on the rise of globalization
studies, an important critical school of the last few years. In particular,
he has attempted to make sense of the continuing staying power of capitalism
and the ways that capitalism has transformed since Marx wrote his critiques
in the nineteenth century, addressing such issues as multi-national (or
"late") capitalism, the power of the media, and the influence
of postmodernity on Marxist debate. The lattermost issue is explored in
the Jameson
modules under Postmodernism.
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