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Modern Fiction Studies: A
Searchable Index
Volume 52 - 2006
[Issue 1
2 3 4]
Issue 1
Editor: John N. Duvall
Associate Editor: Nancy J. Peterson
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Lewis MacLeod |
"Do We of
Necessity Become Puppets in a Story?" or Narrating the World: On
Speech, Silence, and Discourse in J. M. Coetzee's Foe |
1-18 |
| Kimberly J.
Devlin |
The Scopic
Drive and Visual Projection in Heart of Darkness |
19-41 |
| Jane
Lilienfeld |
"To have the
reader work with the author": The Circulation of Knowledge in
Virginia Woolf's To the Lighthouse and Toni Morrison's
Jazz |
42-65 |
| Scott Herring |
Catherian
Friendship; or, How Not to Do the History of Homosexuality |
66-91 |
| Ella Zohar
Ophir |
Toward a
Pitiless Fiction: Abstraction, Comedy, and Modernist Anti-Humanism |
92-120 |
| Bev Hogue |
Naming the
Bones: Bodies of Knowledge in Contemporary Fiction |
121-142 |
| Jane Elliott |
Time of Death: The End of the 1960s and the Problem of Feminist
Futurity in The Women's Room and Vida |
143-168 |
| Jeffrey Louis
Decker |
Review Essay: Saint Oprah |
169-178 |
| Sharon Jessee |
Review Essay: "Git Way Inside Us, Keep Us Strong": Toni Morrison and
the Art of Critical Production |
179-186 |
| Susan Osborn |
Review Essay: Reconsidering Elizabeth Bowen |
187-197 |
| |
Book Reviews |
198-256 |
| |
Contributors |
257-258 |
Issue 2
Editors: John N. Duvall and Nancy J. Peterson
Special Issue: Toni Morrison
|
Author |
Title |
Pages |
|
Nancy J. Peterson |
Introduction: On Incendiary Art, the Moral Imagination, and Toni
Morrison |
261-269 |
|
Candace M. Jenkins |
Pure Black:
Class, Color, and Intraracial Politics in Toni Morrison's
Paradise |
270-296 |
| Stéphane Robolin |
Loose Memory
in Toni Morrison's Paradise and Zoë Wicomb's David's Story |
297-320 |
| Carola
Hilfrich |
Anti-Exodus:
Countermemory, Gender, Race, and Everyday Life in Toni Morrison's
Paradise |
321-349 |
| Timothy Aubry |
Beware the
Furrow of the Middlebrow: Searching for Paradise on The
Oprah Winfrey Show |
350-373 |
| Chuck Jackson |
"A Headless Display":
Sula, Soldiers, and Lynching
|
374-392 |
|
Yogita
Goyal |
The Gender of Diaspora in Toni Morrison's Tar Baby |
393-414 |
|
Dean Franco |
What We Talk about When We Talk about Beloved |
415-439 |
| Megan Sweeney |
"Something Rogue": Commensurability, Commodification, Crime, and
Justice in Toni Morrison's Later Fiction |
440-469 |
| Andrew
Scheiber |
Jazz and the Future Blues: Toni Morrison's Urban Folk Zone |
470-494 |
| Lenore Kitts |
Toni Morrison and "Sis Joe": Beloved's Songs in Black and
White |
495-523 |
| Robert Fallon |
Music and the Allegory of Memory in Margaret Garner |
524-541 |
| |
Contributors |
542-543 |
Issue 3
Editor: John N. Duvall
Associate Editor: Nancy J. Peterson
General Issue
|
Author |
Title |
Pages |
| John N. Duvall |
Editor's Note |
545-547 |
| Christopher
Peterson |
Beloved’s
Claim |
548-569 |
| Susan Tomlinson |
“Curiously
Without Body”: The Hidden Language of Zona Gale’s Faint Perfume |
570-587 |
| Jonathan Greenberg |
Nathaniel West
and the Mystery of Feeling |
588-612 |
| Scott A. Dimovitz |
Public
Personae and the Private I: De-Compositional Ontology in Paul
Auster’s The New York Trilogy |
613-633 |
| Natasa
Kovacevic |
History on Speed: Media and the Politics of Forgetting in Milan
Kundera's Slowness |
634-655 |
| Jennifer
Shaddock |
Dreams of Melanesia: Masculinity and the Exorcism of War in Pat
Barker’s The Ghost Road |
656-674 |
| Hsuan L. Hsu |
Mimicry, Spatial Captation, and Feng Shui in Han Ong’s The Fixer |
675-704 |
| William B.
Covey |
Review Essay: Reckoning Day: Race, Representation, and Redress in
Women’s Literature and Film |
705-715 |
| |
Book Reviews |
716-763 |
| |
Contributors |
764-765 |
Issue 4
Guest Editors: Hillary Chute
and Marianne DeKoven
Special Issue: Graphic Narrative
|
Author |
Title |
Pages |
| Hillary Chute
and Marianne DeKoven |
Introduction:
Graphic Narrative |
767-782 |
| Art Spiegelman |
Letter to the
Jury |
783-786 |
| Jared Gardner |
Archives, Collectors, and the New Media Work of Comics |
787-806 |
|
Nathalie Op de Beeck |
Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin) |
807-831 |
|
David Coughlan |
Paul Auster’s
City of Glass:
The Graphic Novel |
832-854 |
|
Richard Walsh |
The Narrative Imagination across Media |
855-868 |
|
Thomas Bredehoft |
Comics Architecture, Multidimensionality, and Time: Chris Ware's
Jimmy Corrigan: The Smartest Kid on Earth |
869-890 |
|
Daniel Worden |
The Shameful Art: McSweeney’s Quarterly Concern, Comics, and
the Politics of Affect |
891-917 |
|
Jennifer D. Ryan |
Black Female Authorship and the African American Graphic Novel:
Historical Responsibility in Icon: A Hero's Welcome |
918-947 |
|
Theresa Tensuan |
Comic Visions and
Revisions in the Work of Lynda Barry and Marjane Satrapi |
947-964 |
|
Gillian Whitlock |
Autographics: The Seeing "I" of the Comics |
965-979 |
|
Kristiaan Versluys |
Art
Spiegelman’s In the Shadow of No Towers: 9/11 and the
Representation of Trauma |
980-1003 |
| Hillary Chute |
An Interview with Alison Bechdel |
1004-1013 |
| Hillary Chute |
Review Essay: Decoding Comics |
1014-1027 |
| |
Contributors |
1028-1030 |
|