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Modern Fiction Studies: A
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Volume 48 - 2002
[Issue 1
2 3 4]
Issue 1
Guest Editor: Michael Bérubé
Special Issue: Postmodernism and the Globalization of English
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Michael Bérubé |
Introduction:
Worldy English |
1-17 |
| Gillian Gane |
Migrancy, the
Cosmopolitan Intellectual, and the Global City in The Satanic
Verses |
18-49 |
| Peter Kalliney |
Globalization,
Postcoloniality, and the Problem of Literary Studies in The
Satanic Verses |
50-82 |
| April Shemak |
Re-Membering
Hispaniola: Edwidge Danticat's The Farming of Bones |
83-112 |
| Louise Bernard |
Countermemory
and Return: Reclamation of the (Postmodern) Self in Jamaica
Kincaid's The Autobiography of My Mother and My Brother |
113-138 |
| Oliver Lovesey |
Ng ugi wa
Thiong'o's Post-Nation: The Cultural Geographies of Colonial,
Neocolonial, and Post-National Space |
139-168 |
| Kevin Foster |
"A Country
Dying on its Feet": Naipaul, Argentina and Britain |
169-193 |
| Ayelet Ben-Yishai |
The Dialectic
of Shame: Representation in the Meta-Narrative of Salman Rushdie's
Shame |
194-215 |
| Jeanne Dubino |
Review Essay:
Criticism Goes Global: Postcolonial Approaches to English Modernism
and English Travel Writing |
216-226 |
Issue 2
Editor: John N. Duvall
Associate Editor: Siobhan Somerville
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Marco Abel |
Speeding
Across the Rhizome: Deleuze Meets Kerouac On the Road |
227-256 |
| Gabrielle
McIntire |
The Women Do
Not Travel: Gender, Difference, and Incommensurability in Conrad's
Heart of Darkness |
257-284 |
Brian Carr and
Tova Cooper |
Zora Neale
Hurston and Modernism at the Critical Limit |
285-313 |
| Cynthia A.
Callahan |
The
Confounding Problem of Race: Passing and Adoption in Charles
Chesnutt's The Quarry |
314-340 |
| Maren Linettt |
The Jew in the
Bath: Imperiled Imagination in Woolf's The Years |
341-361 |
| Marlene
Goldman |
A Dangerous
Circuit: Loss and the Boundaries of Racialized Subjectivity in Joy
Kogawa's Obasan and Kerri Sakamoto's The Electrical Field |
362-388 |
| Joseph S.
Walker |
Criminality
and (Self) Discipline: The Case of Paul Auster |
389-421 |
| Derek Parker
Royal |
Postmodern
Jewish Identity in Philip Roth's The Counterlife |
422-443 |
| Emily Allen |
Review Essay:
Getting Over It: Messing Around at the Fin de Siècle |
444-452 |
| Sarah Cole |
Review Essay:
Nationalism and Modernism |
453-460 |
| Chiji Akoma |
Review Essay:
Black Narratives and Critical Theory: Two Responses |
461-469 |
| Christy L.
Burns |
Review Essay:
Re-thinking Modernism after the 1990s |
470-479 |
| Philip Nel |
Review Essay:
Metaphors and Paranoia: Two Approaches to Contemporary American
Fiction |
480-485 |
| |
Biannual
Index: Volumes 46 & 47 |
542-550 |
Issue 3
Editor: John N. Duvall
Associate Editor: Siobhan Somerville
General Issue
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| John N. Duvall |
Editor's Note |
551 |
| John J. Su |
Refiguring
National Character: The Remains of the British Estate Novel |
552-580 |
| Naomi Mandel |
"I Made the
Ink": Identity, Complicity, 60 Million, and More |
581-613 |
| Anna Snaith |
Of Fanciers,
Footnotes, and Fascism: Virginia Woolf's Flush |
614-636 |
| Tina Chen |
Impersonation
and Other Disappearing Acts in Native Speaker by Chang-rae
Lee |
637-667 |
| Lynn Wells |
Corso, Ricorso:
Historical Repetition and Cultural Reflection in A. S. Byatt's
Possession: A Romance |
668-692 |
| Ellen G.
Friedman |
Postpatriarchal Endings in Recent US Fiction |
693-712 |
| Stephen Ross |
Review Essay:
Implication or Application? Theory in Recent Approaches to Conrad |
713-726 |
| Kimberly
Chabot Davis |
Generational
Hauntings: The Family Romance in Contemporary Fictions of Raced
History |
727-736 |
| Jarrod Hayes |
Defining
Caribbean Identity |
737-746 |
Issue 4
Guest Editor: Siobhan Somerville
Special Issue: Queer Fictions of Race
(Note: This entire volume is available online through
Project
Muse)
|
Author |
Title |
Pages |
| Siobhan
Somerville |
Queer Fictions
of Race |
787-794 |
| Kate A.
Baldwin |
The Russian
Connection: Interracialism as Queer Alliance in Langston Hughes's
The Ways of White Folk |
795-824 |
| Michael
Maiwald |
Race,
Capitalism, and the Third-Sex Ideal: Claude McKay's Home to
Harlem and the Legacy of Edward Carpenter |
825-857 |
| Crystal Parikh |
"The Most
Outrageous Masquerade": Queering Asian-American Masculinity |
858-898 |
| Stephen
Knadler |
Sweetback
Style: Wallace Thurman and a Queer Harlem Renaissance |
899-936 |
| Erin G.
Carlston |
Secret
Dossiers: Sexuality, Race, and Treason in Proust and the Dreyfus
Affair |
937-968 |
| Candice M.
Jenkins |
Queering Black
Patriarchy: The Salvific Wish and Masculine Possibility in Alice
Walker's The Color Purple |
969-1000 |
| Mikko Tuhkanen |
Breeding (and)
Reading: Lesbian Knowledge, Eugenic Discipline, and The
Children's Hour |
1001-1040 |
| Andrea K.
Newlyn |
Undergoing
Racial "Reassignment": The Politics of Transracial Crossing in
Sinclair Lewis's Kingsblood Royal |
1041-1074 |
|