|
Author |
Title |
Pages |
| Aparajita
Sagar |
Introduction |
1-16 |
| Geetha
Ramanathan |
Sexual
Violence/Textual Violence: Desai's Fire on the Mountain and
Shirazi's Javady Alley |
17-36 |
| Sangeeta Ray |
Memory,
Identity, Patriarchy: Projecting a Past in the Memoirs of Sara
Suleri and Michael Ondaatje |
37-58 |
| Amitava Kumar |
PHOTO ESSAY:
Fist is a Flag |
59-70 |
| Rajeswari
Sunder Rajan |
The Feminist
Plot and the Nationalist Allegory: Home and World in Two Indian
Women's Novels in English |
71-92 |
| Anuradha
Dingwaney Needham |
Multiple Forms
of (National) Belonging: Attia Hosain's Sunlight on a Broken
Column |
93-112 |
| Teresa Hubel |
Charting the Anger of Indian Women through Narayan's Savitri |
113-130 |
| D.C.R.A.
Goonetilleke |
The 1971 Insurgency in Sri Lankan Literature in English |
131-146 |
| Clement Hawes |
Leading History by the Nose: The Turn to the Eighteenth Century in
Midnight's Children |
147-168 |
| Alpana Sharma
Knippling |
R. K. Narayan, Raja Rao, and Modern English Discourse in Colonial
India |
169-186 |
| Nivedita
Bagchi |
The Process of Validation in Relation to Materiality and Historical
Reconstruction in Amitav Ghosh's The Shadow Lines |
187-203 |
|
Reviews |
| Priyamvada
Gopal |
Sitting Translation: History, Post-Structuralism, and the
Colonial Context, by Tejaswini Niranjana |
204-206 |
| Kanishka
Chowdhury |
In Theory: Classes, Nations, Literatures, by Aijaz Ahmed, and
The Rhetoric of English India, by Sara Suleri |
206-211 |
| Swati Chanda |
Women Writing in India, edited by Susie Tharu and K. Lalitha |
211-215 |
| Asha Sen |
The Oppressive Present: Literature and Social Consciousness in
India, by Sudhir Chandra, and The Lie of the Land: English
Literary Studies in India, edited by Rajeswari Sunder Rajan |
215-219 |
| Joya Uraizee |
Family Quarrels: Toward a Criticism of Indian Writing in English,
by Jeroza F. Jussawalla |
219-222 |