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Volume 34 - 1988

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[Issue 1  2  3  4]

Issue 1

Guest Editor: Norman Harris
Special Issue: Modern Black Fiction

Author	Title	Pages
	Contributors	2
Norman Harris	Preface	3-4
Tracy Webb	The Role of Water Imagery in Uncle Tom's Children	5-16
Jon Wallace	The Politics of Style in Three Stories by James Alan McPherson	17-26
Elizabeth B. House	Artists and the Art of Living: Order and Disorder in Toni Morrison's Fiction	27-44
Viney Kirpal	The Structure of the Modern Nigerian Novel and the National Consciousness	45-54
Alan Nadel	Reading the Body: Alice Walker's Meridian and the Archeology of Self	55-68
Daniel W. Ross	Celie in the Looking Glass: The Desire for Selfhood in The Color Purple	69-84
Laura Niesen de Abruña	Twentieth-Century Women Writers from the English-Speaking Caribbean	85-96
Theodore O. Mason, Jr.	Performance, History, and Myth: The Problem of Ishmael Reed's Mumbo-Jumbo	97-110
Norman Harris	The Gods Must Be Angry: Flight to Canada as Political History	111-124
Craig Werner	Recent Books on Modern Black Fiction: An Essay-Review	125-135

 

Issue 2

Editor: William T. Stafford
General Issue

Author	Title	Pages
Cheryl Lester	From Place to Place in The Sound and the Fury: The Syntax of Interrogation	141-156
Zoltán Abádi-Nagy	An Interview with Raymond Federman	157-170
Dewey Ganzel	A Geometry of His Own: Hemingway's "Out of Season"	171-184
Suzanne Kiernan	"Ugly by Design": The Fiction of Christina Stead	185-202
Peter J. Gillett	James Joyce's Infernal Clock	203-207
Robert Roulston	Fitzgerald's "May Day": The Uses of Irresponsibility	207-215
Edward Jamosky and Jerome Klinkowitz	Kurt Vonnegut's Three Mother Nights	216-220
	Correspondence	221-222
	Recent Books on Modern Fiction	223-332

 

Issue 3

Guest Editors: Margaret Moan Rowe and Ellen Carol Jones
Special Issue: Feminism and Modern Fiction

Author	Title	Pages
	Contributors	334
Margaret Moan Rowe	Preface	335-336
Margaret Gray-McDonald	Marcel's Écriture Féminine	337-352
Ellen G. Friedman	"Utterly Other Discourse": The Anti-canon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose	353-370
Bonnie Kime Scott	The Word Split Its Husk: Woolf's Double Vision of Modernist Language	371-386
D. S. Neff	Two into Three Won't Go: Mimetic Desire and the Dream of Androgyny in Dancing in the Dark	387-404
Toby Silverman Zinman	The Good Old Days in The Good Mother	405-412
Alan W. France	Misogyny and Appropriation in Wright's Native Son	413-424
Keith Louise Fulton	Linda Snopes Kohl: Faulkner's Radical Woman	425-436
Mona Fayad	Unquiet Ghosts: The Struggle for Representation in Rhys's Wide Sargasso Sea	437-452
Charles Ponnuthurai Sarvan	Feminism and African Fiction: The Novels of Mariama Bâ	453-464
Elizabeth Fifer	"In Conversation": Gertrude Stein's Speaker, Message, and Receiver in Painted Lace and Other Pieces (1914-1937)	465-480
Molly Hite	(En)Gendering Metafiction: Doris Lessing's Rehearsals for The Golden Notebook	481-500
Laura Sue Fuderer	Feminist Critical Theory: A Checklist	501-513

 

Issue 4

Editor: William T. Stafford
General Issue

Author	Title	Pages
Bernard Benstock	The Gnomonics of Dubliners	519-540
Jerome Mandel	The Grotesque Rose: Medieval Romance and The Great Gatsby	541-558
Laurence A. Breiner	Italic Calvino: The Place of the Emperor in Invisible Cities	559-574
Ralph Tutt	Stingo's Complaint: Styron and the Politics of Self-Parody	575-586
Richard K. Sanderson	The Two Narrators and Happy Ending of Nineteen Eighty-Four	587-596
Jo An Hoeppner Moran	E. M. Forster's A Passage to India: What Really Happened in the Caves	596-604
	Correspondence	605
	Recent Books on Modern Fiction	607-759
	Author and Subject Index: Volume 34	760-759