Editor: William T. Stafford
General Issue
|
Author |
Title |
Pages |
| Augustus M.
Kolich |
Does Fiction
Have To Be Made Better than Life? |
159-174 |
| Gary D. Cox |
D. H. Lawrence
and F. M. Dostoevsky: Mirror Images of Murderous Aggression |
175-182 |
| Linda Kauffman |
Devious
Channels of Decorous Ordering: A Lover's Discourse in Absalom,
Absalom! |
183-200 |
| Robert A.
Morace |
Freddy's
Book, Moral Fiction, and Writing as a Mode of Thought |
201-212 |
| W. Paul
Elledge |
The Profaning
of Romanticism in Trilling's "Of This Time, of That Place" |
213-226 |
| Daniel Mark
Fogel |
"The Last Cab"
in James's "The Papers" and in The Secret Agent: Conrad's
Cues from the Master |
227-235 |
| Jeffrey Meyers |
Van Gogh and
Lewis' Revenge for Love |
235-240 |
| Mohammad
Shaheen |
Forster's
Meredith: Meditation and Change |
240-245 |
| Lewis W.
Tusken |
Thematic Unity
in Herman Hesse's Narziss und Goldmund: The Tree Symbol as
Interpretive Key |
245-252 |
| Kristien
Hemmerechts and Suzanne Ferguson |
Correspondence: The Modern Short Story, Continued . . . |
253-256 |
| |
Recent Books
on Modern Fiction |
257-382 |