Editors: Margaret Church and William T. Stafford
Special Issue: Doris Lessing
|
Author |
Title |
Pages |
| Dee Seligman |
The Four-Faced
Novelist |
3-16 |
| Jean Pickering |
Marxism and
Madness: The Two Faces of Doris Lessing's Myth |
17-30 |
| Betsy Draine |
Nostalgia and
Irony: The Postmodern Order of The Golden Notebook |
31-48 |
| Herbert Marder |
The Paradox of
Form in The Golden Notebook |
49-54 |
| Margaret K.
Butcher |
"Two Forks of
a Road": Divergence and Convergence in the Short Stories of Doris
Lessing |
55-62 |
| Orphia Jane
Allen |
Structure and
Motif in Doris Lessing's A Man and Two Women |
63-74 |
| Margaret
Scanlan |
Memory and Continuity in the Series Novel: The Example of
Children of Violence |
75-86 |
| Nancy Topping
Bazin |
The Moment of Revelation in Martha Quest and Comparable
Moments by Two Modernists |
87-98 |
| Claire Sprague |
"Without Contraries is no Progression": Lessing's The Four-Gated
City |
99-116 |
| Ralph Berets |
A Jungian Interpretation of the Dream Sequence in Doris Lessing's
The Summer Before the Dark |
117-130 |
| Lorelei
Cederstrom |
Doris Lessing's Use of Satire in The Summer Before the Dark |
131-146 |
| Bernard
Duyfhuizen |
On the Writing of Future-History: ;Beginning the Ending in Doris
Lessing's The Memoirs of a Survivor |
147-156 |
| Alvin Sullivan |
The Memoirs of a Survivor: Lessing's Notes Toward a Supreme
Fiction |
157-162 |
| Margaret Moan
Rowe |
Review |
163-166 |
| Holly Beth
King |
Criticism of Doris Lessing: A Selected Checklist |
167-175 |
| |
Contributors |
176 |