Editors: William T. Stafford and Margaret Church
General Issue
|
Author |
Title |
Pages |
| James McKenzie
(introduction) |
Pole-Vaulting
in Top Hats: A Public Conversation with John Barth, William Gass,
and Ishmael Reed |
131-152 |
| W. R.
Macnaughton |
Maisie's Grace
under Pressure: Some Thoughts on James and Hemingway |
153-164 |
| John J. Riley |
Gentleman at
Arms: The Generative Process of Evelyn Waugh and Anthony Powell
before World War II |
165-182 |
| Nina Baym |
Revision and
Thematic Change in The Portrait of a Lady |
183-200 |
| George Blake |
The
Eccentricity of John Cowper Powys |
201-212 |
| Sue Simpson
Park |
A Study in
Counterpoint: Joyce Carol Oates's "How I Contemplated the World from
the Detroit House of Correction and Began My Life over Again" |
213-224 |
| Walter L.
Knorr |
Doctorow and
Kleist: "Kohlhaas" in Ragtime |
224-227 |
| Adeline R.
Tintner |
Isabel's
Carriage-Image and Emma's Day Dream |
227-231 |
| Steven G.
Kellman |
Portrat of the
Artist as Necrophage: Aharon Megged's Living on the Dead |
231-237 |
| Richard L.
Jackson |
The Status of
the Gregueria of Ramón Gómez de la Serna |
237-242 |
| A. S. G
Edwards |
A Source of
Waugh's A Handful of Dust |
242-244 |
|
Correspondence |
| Mark Spilka |
Warren Beck
Revisited |
245-256 |
| Warren Beck |
Mr. Spilka's
Problem: A Reply |
256-270 |
| |
Recent Books
on Modern Fiction |
271-336 |