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Modern Fiction Studies: A
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Volume 16 - 1970
[Issue 1
2 3 4]
Issue 1
Guest Editor: Margaret Church
Special Issue: The Modern French Novel
|
Author |
Title |
Pages |
| Germaine Brée |
Novelists in
Search of the Novel: The French Scene |
3-12 |
| Dennis Porter |
Sartre,
Robbe-Grillet and the Psychotic Hero |
13-26 |
| C. Roland
Wagner |
The Silence of
The Stranger |
27-40 |
| Arnold
Weinstein |
Order and
Excess in Butor's L'Emploi du temps |
41-56 |
| Adèle Bloch |
Michael Butor
and the Myth of Racial Supremacy |
57-66 |
| Allen Thiher |
The Yet to Be
Salvaged Céline: Guignol's Band |
67-76 |
| James Greenlee |
Sartre's "Chambre":
The Story of Eve |
77-84 |
| Margaret
Church, Ronald Cummings and John Feaster |
Five Modern
French Novelists: A Bibliography |
85-100 |
| Mireille
Frauenrath |
Correspondence |
101-102 |
| David G. Speer |
Discussion |
102-104 |
| Edith Kern |
Reviews |
104-108 |
Issue 2
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
General Issue
|
Author |
Title |
Pages |
| Lawrence Clark
Powell |
A Tribute to
Bradford Booth |
111-116 |
| Lynne Cheney |
Joseph
Conrad's The Secret Agent and Graham Greene's It's a
Battlefield: A Study in Structural Meaning |
117-132 |
| Robert
Hemenway |
Enigmas of
Being in As I Lay Dying |
133-146 |
| Stuart L.
Burns |
The Evolution
of Wise Blood |
147-162 |
| John E.
Saveson |
Conrad's View
of Primitive Peoples in Lord Jim and Heart of Darkness |
163-184 |
| Jane P.
Tompkins |
"The Beast in
the Jungle": An Analysis of James's Late Style |
185-192 |
| W. U.
McDonald, Jr. |
Welty's
"Social Consciousness": Revisions of "The Whistle" |
193-198 |
| Luther S.
Luedtke |
J. D. Salinger
and Robert Burns: The Catcher in the Rye |
198-201 |
| Frank Baldanza |
The Murdoch
Manuscripts at the University of Iowa: An Addendum |
201-203 |
| William W.
Rowe, Edward Wasiolek |
Correspondence |
203-207 |
| |
Recent Books
on Modern Fiction |
207-266 |
Issue 3
Editorial Board: William T. Stafford (Chairman, on leave), William Bache,
Margaret Church (Acting Chair), and Mark Rowan
Special Issue: William Dean Howells
|
Author |
Title |
Pages |
| James W.
Tuttleton |
Howells and
the Manners of the Good Heart |
271-288 |
| Charles L.
Campbell |
Realism and
the Romance of Real Life: Multiple Fictional Worlds in Howells'
Novels |
289-302 |
| Jerome
Klinkowitz |
Ethic and
Aesthetic: The Basil and Isabel March Stories of William Dean
Howells |
303-322 |
| Joseph H.
Gardner |
Howells: The
"Realist" as Dickensian |
323-344 |
| Sanford E.
Marovitz |
Howells and
the Ghetto: "The Mystery of Misery" |
345-362 |
| Marion W.
Cumpiano |
Howells'
Bridge: A Study of the Artistry of Indian Summer |
363-382 |
| Tom H. Towers |
"The Only Life
We've Got": Myth and Morality in The Kentons |
383-394 |
| Maurice Beebe |
Criticism of
William Dean Howells: A Selected Checklist |
395-419 |
Issue 4
Editorial Board: William T. Stafford (Chairman, on leave), William Bache,
Margaret Church (Acting Chair), and Mark Rowan
General Issue
|
Author |
Title |
Pages |
| David M.
Andersen |
Isaac Bashevis
Singer: Conversations in California |
423-440 |
| Lillian Gilkes |
Stephen Crane
and the Biographical Fallacy: The Cora Influence |
441-462 |
| James Connors |
"Do It to
Julia": Thoughts on Orwell's 1984 |
463-474 |
| Alan Wilde |
Irony and
Style: The Example of Christopher Isherwood |
475-490 |
| Gerry Brenner |
Epic Machinery
in Hemingway's For Whom the Bell Tolls |
491-504 |
| Jerome Mickier |
The
Hippopotamian Question: A Note on Aldous Huxley's Unfinished Novel |
505-514 |
| Samuel Hynes |
Ford Madox
Ford: "Three Dedicatory Letters to Parade's End" with
Commentary and Notes |
515-528 |
| H. C. Nash |
Faulkner's
"Furniture Repairer and Dealer": Knitting Up Light in August |
529-531 |
| Helen R.
Whaley |
The Role of
the Blind Piano Tuner in Joyce's Ulysses |
531-535 |
| Allison Ensor |
Mark Twain's
"The War Prayer" |
535-540 |
| |
Recent Books
on Modern Fiction |
541-577 |
|