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Modern Fiction Studies: A
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Volume 15 - 1969
[Issue 1
2 3 4]
Issue 1
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
Special Issue: James Joyce
|
Author |
Title |
Pages |
| Bernard
Benstock |
Every Telling
Has a Taling: A Reading of the Narrative of Finnegans Wake |
3-26 |
| John White |
Ulysses:
The Metaphysical Foundations and Grand Design |
27-34 |
| Ralph Jenkins |
Theosophy in
"Scylla and Charybdis" |
35-48 |
| Philip F.
Herring |
The
Bedsteadfastness of Molly Bloom |
49-62 |
| William D.
Jenkins |
It Seems There
Were Two Irishmen |
63-72 |
| Erwin R.
Steinberg |
"Lestrygonians,"
A Pale "Proteus"? |
73-86 |
| George L.
Geckle |
Stephen
Dedalus and W. B. Yeats: The Making of the Villanelle |
87-96 |
| M. W. Murphy |
Darkness in
Dubliners |
97-104 |
| Maurice Beebe,
Phillip F. Herring, and Walton Litz |
Criticism of
James Joyce: A Selected Checklist |
105-182 |
Issue 2
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
General Issue
|
Author |
Title |
Pages |
| Mark Harris |
Obituary Three
for Alan Swallow |
187-190 |
| Martha Banta |
Rebirth or
Revenge: The Endings of Huckleberry Finn and The American |
191-208 |
| Michael Payne |
The Eclipse of
Order: The Ironic Structure of The Waves |
209-218 |
| Alfred
Habegger |
"The Siege of
London": Henry James and the Pièce
Bien Faite |
219-230 |
| Henry L.
Golemba |
Steinbeck's
Attempt to Escape the Literary Fallacy |
231-240 |
| D. G. Kehl |
The
Chiaroscuro World of Pär Lagerkvist |
241-250 |
| Charles L.
Campbell |
An American
Tragedy; or, Death in the Woods |
251-260 |
| Sanford J.
Smoller |
A Note on
Joseph Conrad's Fall and Abyss |
261-264 |
| Anselm Atkins |
The Matched
Halves of Absalom, Absalom! |
264-266 |
| |
Recent Books
on Modern Fiction |
267-329 |
Issue 3
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
Special Issue: Iris Murdoch
|
Author |
Title |
Pages |
| Ann Culley |
Theory and
Practice: Characterization in the Novels of Iris Murdoch |
335-346 |
| Linda Kuehl |
Iris Murdoch:
The Novelist as Magician / The Magician as Artist |
347-360 |
| Howard German |
Allusions in
the Early Novels of Iris Murdoch |
361-378 |
| Raymond J.
Porter |
Leitmotiv
in Iris Murdoch's Under the Net |
379-386 |
| Alice P.
Kenney |
The Mythic
History of A Severed Head |
387-402 |
| Peter Kemp |
The Fight
Against Fantasy: Iris Murdoch's The Red and the Green |
403-416 |
| Frank Baldanza |
The Nice
and the Good |
417 |
| William F.
Hall |
Bruno's
Dream: Technique and Meaning in the Novels of Iris Murdoch |
429-444 |
| William M.
Murray |
A Note on the
Iris Murdoch Manuscripts in the University of Iowa Libraries |
445-448 |
| Ann Culley,
with John Feaster |
Criticism of
Iris Murdoch: A Selected Checklist |
449-457 |
Issue 4
Editorial Board: William T. Stafford (Chairman), William Bache,
Margaret Church, and Mark Rowan
General Issue
|
Author |
Title |
Pages |
| Brom Weber |
A Tribute to
William Van O'Connor |
463-466 |
| Joseph J.
Walmeir |
Only an
Occasional Rutabaga: American Fiction since 1945 |
467-482 |
| William Goede |
On Lower
Frequencies: The Buried Men in Wright and Ellison |
483-502 |
| William Rossky |
The Pattern of
Nightmare in Sanctuary; or, Miss Reba's Dogs |
503-516 |
| E. C. Bufkin |
A Pattern of
Parallel and Double: The Function of Myrtle in The Great Gatsby |
517-524 |
| Michael
Goldberg |
Lawrence's
"The Rocking Horse Winner": A Dickensian Fable? |
525-536 |
| Richard Allan
Davison |
Crane's "Blue
Hotel" Revisited: The Illusion of Fate |
537-539 |
| Horst H. Kruse |
"Gatsby" and "Gadsby" |
539-541 |
| Gerald Noonan |
A Note on "The
Chrysanthemums" |
542 |
| |
Recent Books
on Modern Fiction |
543-591 |
|