|
Author |
Title |
Pages |
| Robert Shulman |
Myth, Mr.
Eliot, and the Comic Novel |
395-404 |
| Robert
Detweiler |
Patterns of
Rebirth in Henderson the Rain King |
405-414 |
| Victor A.
Doyno |
Patterns in
The Great Gatsby |
415-426 |
| Daniel J.
Schneider |
Symbolism in
Conrad's Lord Jim: The Total Pattern |
427-438 |
| Lee T. Lemon |
A Portrait
of the Artist as a Young Man: Motif as Motivation and Structure |
439-450 |
| Peter E.
Firchow |
The Satire of
Huxley's Brave New World |
451-160 |
| David Madden |
Ambiguity in
Albert Camus' The Fall |
461-472 |
| Bickford
Sylvester |
"They Went
Through This Fiction Every Day": Informed Illusion in The Old Man
and the Sea |
473-477 |
| Henry J.
Underwood, Jr. |
Sartre on
The Sound and the Fury: Some Errors |
477-479 |
| William R.
Osborne |
The Texts of
Steinbeck's "The Chrysanthemums" |
479-484 |
| |
Modern Fiction
Newsletter |
485-525 |