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Modern Fiction Studies: A
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Volume 9 - 1963
[Issue 1
2 3 4]
Issue 1
Editor: Maurice Beebe
Special Issue: Ford Madox Ford
|
Author |
Title |
Pages |
| David D.
Harvey |
Pro Patria
Mori: The Neglect of Ford's Novel's in England |
3-16 |
| Samuel Hynes |
Ford and the
Spirit of Romance |
17-24 |
| Marlene
Griffith |
A Double
Reading of Parade's End |
25-38 |
| Joseph
Wiesenfarth, F.S.C. |
Criticism and
the Semiosis of The Good Soldier |
39-49 |
| Patricia
McFate and Bruce Golden |
The Good
Soldier: A Tragedy of Self Deception |
50-60 |
| Robert J. Ray |
Style in
The Good Soldier |
61-66 |
| Ambrose
Gordon, Jr. |
At the Edge of
Silence: The Good Soldier as "War Novel" |
67-78 |
| James Trammell
Cox |
The Finest
French Novel in the English Language |
79-93 |
| Maurice Beebe
and Robert G. Johnson |
Criticism of
Ford Madox Ford: A Selected Checklist |
94-100 |
Issue 2
Editor: Maurice Beebe
General Issue
|
Author |
Title |
Pages |
| George Levine |
Madame
Bovary and the Disappearing Author |
103-119 |
| Garold Sharpe |
The Philosophy
of James Joyce |
120-126 |
| Parker Tyler |
The Sacred
Fount: "The Actuality Pretentious and Vain" vs. "The Case Rich
and Edifying" |
127-138 |
| U. C.
Knoepflmacher |
Historicism as
Fiction: Motion and Rest in the Stories of Walter Pater |
139-148 |
| Frances
McNeely Leonard |
Nana:
Symbol and Action |
149-158 |
| James B.
Meriwether |
The Text of
Faulkner's Books: An Introduction and Some Notes |
159-170 |
| George Walton
Williams |
The Turn of
the Tide in Heart of Darkness |
171-172 |
| Blanche
Gelfant |
Language as a
Moral Code in A Farewell to Arms |
173-176 |
| |
Modern Fiction
Newsletter |
177-204 |
Issue 3
Guest Editor: James B. Meriwether
Special Issue: Joyce Cary
|
Author |
Title |
Pages |
| Andrew Wright |
A Note on
Joyce Cary's Reputation |
207-209 |
| Lionel
Stevenson |
Joyce Cary and
the Anglo-Irish Tradition |
210-216 |
| Charles G.
Hoffmann |
"They Want to
Be Happy": Joyce Cary's Unfinished Castle Corner Series |
217-225 |
| Christopher
Fyfe |
The Colonial
Situation in Mister Johnson |
226-230 |
| Fred
Stockholder |
The Triple
Vision in Joyce Cary's First Trilogy |
231-244 |
| George Garrett |
The Major
Poetry of Joyce Cary |
245-256 |
| Malcolm Foster |
Fell of the
Lion, Fleece of the Sheep |
257-262 |
| Giles Mitchell |
Joyce Cary's
Prisoner of Grace |
263-275 |
| John Teeling,
S.J. |
Joyce Cary's
Moral World |
276-283 |
Maurice Beebe,
James Lee, and
Sam Henderson |
Criticism of
Joyce Cary: A Selected Checklist |
284-288 |
Issue 4
Editor: Maurice Beebe
General Issue
|
Author |
Title |
Pages |
| Pearl C. Niemi |
The Art of
Crime and Punishment |
291-313 |
| Louis D.
Rubin, Jr. |
One More Turn
of the Screw |
314-328 |
| Don
Summerhayes |
Society,
Morality, Analogy: Virginia Woolf's World Between the Acts |
329-337 |
| Paul Lauter |
Plato's
Stepchildren, Gatsby and Cohn |
338-346 |
| Stephen A.
Reid |
The
"Unspeakable Rites" in Heart of Darkness |
347-356 |
| Donald M.
Kartiganer |
The Role of
Myth in Absalom, Absalom! |
357-369 |
| J. D. O'Hara |
No Catcher in
the Rye |
370-376 |
| Daniel Curley |
Treasure in
"The Grave" |
377-384 |
| John V.
Hagopian |
Capturing
Mansfield's Fly |
385-389 |
| Lawrence
Graver |
Critical
Confusion and Conrad's "The End of the Tether" |
390-396 |
|