|
Author |
Title |
Pages |
| Allen Hayman |
The Real and
the Original: Herman Melville's Theory of Prose Fiction |
211-232 |
| Howard C.
Horsford |
The Design of
the Argument in Moby-Dick |
233-251 |
| Sister Mary
Ellen, I.H.M. |
Duplicate
Imagery in Moby-Dick |
252-264 |
| John T.
Frederick |
Symbol and
Theme in Melville's Israel Potter |
265-275 |
| Kingsley
Widmer |
The Negative
Affirmation: Melville's "Bartleby" |
276-286 |
| Jesse D. Green |
Diabolism,
Pessimism, and Democracy: Notes on Melville and Conrad |
287-305 |
| William T.
Stafford |
The New
Billy Budd and the Novelistic Fallacy: An Essay-Review |
306-311 |
| Maurice Beebe,
Harrison Hayford, and Gordon Roper |
Criticism of
Herman Melville: A Selected Checklist |
312-346 |