MFS Home
Index Home
Modern Fiction Studies: A
Searchable Index
Volume 6 - 1960
[Issue 1
2 3 4]
Issue 1
Editor: Maurice Beebe
Special Issue: Robert Penn Warren
|
Author |
Title |
Pages |
| Everett Carter |
The "Little
Myth" of Robert Penn Warren |
3-12 |
| John Lewis
Longley, Jr. |
"At Heaven's
Gate": The Major Themes |
13-24 |
| Elizabeth M.
Kerr |
Polarity of
Themes in "All the King's Men" |
25-46 |
| John W.
Rathbun |
Philosophy,
"World Enough and Time," and the Art of the Novel |
47-54 |
| Robert Berner |
The Required
Past: "World Enough and Time" |
55-64 |
| Leonard Casper |
Journey to the
Interior: "The Cave" |
65-72 |
| Joe Davis |
Robert Penn
Warren and the Journey to the West |
73-82 |
| Maurice Beebe
and Erin Marcus |
Criticism of
Robert Penn Warren: A Selected Checklist |
83-88 |
Issue 2
Editor: Maurice Beebe
General Issue
|
Author |
Title |
Pages |
| Frederick J.
Hoffman |
The Scene of
Violence: Dostoevsky and Dreiser |
91-105 |
| Edwin Fussell |
"Winesburg,
Ohio": Art and Isolation |
106-114 |
| Charles R.
Metzger |
Steinbeck's
Version of the Pastoral |
115-124 |
| Donald Fanger |
Joyce and
Meredith: A Question of Influence and Tradition |
125-130 |
| Leo Bersani |
The Narrator
as Center in "The Wings of the Dove" |
131-144 |
| James Gindin |
"Gimmick" and
Metaphor in the Novels of William Golding |
145-152 |
| Seymour L.
Gross |
Nature, Man,
and God in Bunin's "The Gentleman from San Francisco" |
153-163 |
| Leon Edel |
Who Was
Gilbert Osmond? |
164 |
| Robert L. Lair |
Hemingway and
Cézanne: An Indebtedness |
165-167 |
| Claudia C.
Wogan |
Crane's Use of
Color in "The Red Badge of Courage" |
168-172 |
| |
Modern Fiction
Newsletter |
173-191 |
Issue 3
Editor: Maurice Beebe
Special Issue: Thomas Hardy
|
Author |
Title |
Pages |
| Frederick R.
Karl |
"The Mayor of
Casterbridge": A New Fiction Defined |
195-213 |
| John Paterson |
The "Poetics"
of "The Return of the Native" |
214-222 |
| Richard C.
Carpenter |
Hardy's "Gurgoyles" |
223-232 |
| Frederick P.
W. McDowell |
Hardy's
"Seeming or Personal Impressions": The Symbolical Use of Image and
Contrast in "Jude the Obscure" |
233-250 |
| Robert Y.
Drake, Jr. |
"The
Woodlanders" as Traditional Pastoral |
251-257 |
| Maurice Beebe,
Bonnie Culotta, and Erin Marcus |
Criticism of
Thomas Hardy: A Selected Checklist |
258-279 |
Issue 4
Editor: Maurice Beebe
Special Issue: Theories and Trends in the Criticism of Fiction
|
Author |
Title |
Pages |
| Mark Spilka |
The Necessary
Stylist: A New Critical Revision |
283-298 |
| John Graham |
Ernest
Hemingway: The Meaning of Style |
298-313 |
| Edward
Wasiolek |
Tolstoy's "The
Death of Ivan Ilyich" and Jamesian Fictional Imperatives |
314-324 |
| Shiv K. Kumar |
Bergson's
Theory of the Novel |
325-336 |
| John H.
Matthews |
Nathalie
Sarraute: An Approach to the Novel |
337-344 |
| Daniel J.
Hughes |
Reality and
the Hero: "Lolita" and "Henderson the Rain King" |
345-364 |
| |
Modern Fiction
Newsletter |
365-386 |
|